Walter Scott

Sir Walter Scott, Bart.
Raeburn's portrait of Sir Walter Scott in 1822
Raeburn's portrait of Sir Walter Scott in 1822
Born15 August 1771
College Wynd, Edinburgh
Scotland
Died21 September 1832(1832-09-21) (aged 61)
Abbotsford, Roxburghshire
Scotland
Occupation
NationalityScottish
Alma materUniversity of Edinburgh
Period19th century
Literary movementRomanticism
SpouseCharlotte Carpenter (Charpentier)

Signature

Sir Walter Scott, 1st Baronet FRSE FSA Scot (15 August 1771 – 21 September 1832) was a Scottish historical novelist, poet, playwright and historian. Many of his works remain classics of both English-language literature and of Scottish literature. Famous titles include Ivanhoe, Rob Roy, Old Mortality, The Lady of the Lake, Waverley, The Heart of Midlothian and The Bride of Lammermoor.

Although primarily remembered for his extensive literary works and his political engagement, Scott was an advocate, judge and legal administrator by profession, and throughout his career combined his writing and editing work with his daily occupation as Clerk of Session and Sheriff-Depute of Selkirkshire.

A prominent member of the Tory establishment in Edinburgh, Scott was an active member of the Highland Society, served a long term as President of the Royal Society of Edinburgh (1820–32) and was a Vice President of the Society of Antiquaries of Scotland (1827-1829).[1]

As Encyclopædia Britannica argues: "Scott gathered the disparate strands of contemporary novel-writing techniques into his own hands and harnessed them to his deep interest in Scottish history and his knowledge of antiquarian lore. The technique of the omniscient narrator and the use of regional speech, localized settings, sophisticated character delineation, and romantic themes treated in a realistic manner were all combined by him into virtually a new literary form, the historical novel. His influence on other European and American novelists was immediate and profound, and though interest in some of his books declined somewhat in the 20th century, his reputation remains secure."[2]

Life and works

Early days

Scott's childhood at Sandyknowes, in the shadow of Smailholm Tower, introduced him to the tales and folklore of the Scottish Borders.

Walter Scott was born on 15 August 1771. He was the ninth child of Walter Scott, a Writer to the Signet (solicitor), and Anne Rutherford (sister of Daniel Rutherford). His father was a member of a cadet branch of the Scotts Clan, and his mother descended from the Haliburton family, the descent from whom granted Walter's family the hereditary right of burial in Dryburgh Abbey.[3] Via the Haliburton family, Walter (b.1771) was a cousin of the pre-eminent contemporaneous property developer James Burton, who was a Haliburton who had shortened his surname, and of his son, the architect Decimus Burton.[4] Walter subsequently became a member of the Clarence Club, of which the Burtons were also members.[5][6]

Five of Walter's siblings died in infancy, and a sixth died when he was five months of age. Walter was born in a third-floor flat on College Wynd in the Old Town of Edinburgh, a narrow alleyway leading from the Cowgate to the gates of the University of Edinburgh (Old College).[7] He survived a childhood bout of polio in 1773 that left him lame,[8] a condition that was to have a significant effect on his life and writing.[9] To cure his lameness he was sent in 1773 to live in the rural Scottish Borders at his paternal grandparents' farm at Sandyknowe, adjacent to the ruin of Smailholm Tower, the earlier family home.[10] Here he was taught to read by his aunt Jenny, and learned from her the speech patterns and many of the tales and legends that characterised much of his work. In January 1775 he returned to Edinburgh, and that summer went with his aunt Jenny to take spa treatment at Bath in England, where they lived at 6 South Parade.[11] In the winter of 1776 he went back to Sandyknowe, with another attempt at a water cure at Prestonpans during the following summer.[10]

The Scotts' family home in George Square, Edinburgh

In 1778, Scott returned to Edinburgh for private education to prepare him for school, and joined his family in their new house built as one of the first in George Square.[7] In October 1779 he began at the Royal High School of Edinburgh (in High School Yards). He was now well able to walk and explore the city and the surrounding countryside. His reading included chivalric romances, poems, history and travel books. He was given private tuition by James Mitchell in arithmetic and writing, and learned from him the history of the Church of Scotland with emphasis on the Covenanters. After finishing school he was sent to stay for six months with his aunt Jenny in Kelso, attending the local grammar school where he met James and John Ballantyne, who later became his business partners and printed his books.[12]

Meeting with Blacklock and Burns

Scott began studying classics at the University of Edinburgh in November 1783, at the age of 12, a year or so younger than most of his fellow students. In March 1786 he began an apprenticeship in his father's office to become a Writer to the Signet. While at the university Scott had become a friend of Adam Ferguson, the son of Professor Adam Ferguson who hosted literary salons. Scott met the blind poet Thomas Blacklock, who lent him books and introduced him to James Macpherson's Ossian cycle of poems. During the winter of 1786–87 the 15-year-old Scott saw Robert Burns at one of these salons, for what was to be their only meeting. When Burns noticed a print illustrating the poem "The Justice of the Peace" and asked who had written the poem, only Scott knew that it was by John Langhorne, and was thanked by Burns. Scott describes this event in his memoirs where he whispers the answer to his friend Adam who tells Burns[13] Another version of the event is described in Literary Beginnings[14] When it was decided that he would become a lawyer, he returned to the university to study law, first taking classes in moral philosophy and universal history in 1789–90.[12]

After completing his studies in law, he became a lawyer in Edinburgh. As a lawyer's clerk he made his first visit to the Scottish Highlands directing an eviction. He was admitted to the Faculty of Advocates in 1792. He had an unsuccessful love suit with Williamina Belsches of Fettercairn, who married Scott's friend Sir William Forbes, 7th Baronet.

Start of literary career, marriage and family

A copy of Scott'sMinstrelsy in the National Museum of Scotland

As a boy, youth, and young man, Scott was fascinated by the oral traditions of the Scottish Borders. He was an obsessive collector of stories, and developed an innovative method of recording what he heard at the feet of local story-tellers using carvings on twigs, to avoid the disapproval of those who believed that such stories were neither for writing down nor for printing.[15] At the age of 25 he began to write professionally, translating works from German,[16] his first publication being rhymed versions of ballads by Gottfried August Bürger in 1796. He then published an idiosyncratic three-volume set of collected ballads of his adopted home region, Minstrelsy of the Scottish Border. This was the first sign from a literary standpoint of his interest in Scottish history.

As a result of his early polio infection, Scott had a pronounced limp. He was described in 1820 as tall, well formed (except for one ankle and foot which made him walk lamely), neither fat nor thin, with forehead very high, nose short, upper lip long and face rather fleshy, complexion fresh and clear, eyes very blue, shrewd and penetrating, with hair now silvery white.[17] Although a determined walker, on horseback he experienced greater freedom of movement. Unable to consider a military career, Scott enlisted as a volunteer in the 1st Lothian and Border yeomanry.[18]

On a trip to the Lake District with old college friends he met Charlotte Charpentier (or Carpenter), daughter of Jean Charpentier of Lyon in France, and ward of Lord Downshire in Cumberland, an Episcopalian. After three weeks of courtship, Scott proposed and they were married on Christmas Eve 1797 in St Mary's Church, Carlisle (a church set up in the now destroyed nave of Carlisle Cathedral).[19] After renting a house in George Street, they moved to nearby South Castle Street. They had five children, of whom four survived by the time of Scott's death, most baptized by an Episcopalian clergyman. In 1799 he was appointed Sheriff-Depute of the County of Selkirk, based in the Royal Burgh of Selkirk. In his early married days Scott had a decent living from his earnings at the law, his salary as Sheriff-Depute, his wife's income, some revenue from his writing, and his share of his father's rather meagre estate.

39–43 North Castle Street, Edinburgh

After their third son was born in 1801, they moved to a spacious three-storey house built for Scott at 39 North Castle Street. This remained Scott's base in Edinburgh until 1826, when he could no longer afford two homes. From 1798 Scott had spent the summers in a cottage at Lasswade, where he entertained guests including literary figures, and it was there that his career as an author began. There were nominal residency requirements for his position of Sheriff-Depute, and at first he stayed at a local inn during the circuit. In 1804 he ended his use of the Lasswade cottage and leased the substantial house of Ashestiel, 6 miles (9.7 km) from Selkirk. It was sited on the south bank of the River Tweed, and the building incorporated an old tower house.[7]

Scott's father, also Walter (1729–1799), was a Freemason, being a member of Lodge St David, No.36 (Edinburgh), and Scott also became a Freemason in his father's Lodge in 1801, albeit only after the death of his father.[20]

Poetry

Sir Walter Scott, novelist and poet – painted by Sir William Allan

In 1796, Scott's friend James Ballantyne[21] founded a printing press in Kelso, in the Scottish Borders. Through Ballantyne, Scott was able to publish his first work, including "Glenfinlas" and "The Eve of St. John", and his poetry then began to bring him to public attention. In 1805, The Lay of the Last Minstrel captured wide public imagination, and his career as a writer was established in spectacular fashion.

The way was long, the wind was cold,
The Minstrel was infirm and old

— The Lay of the Last Minstrel (first lines)

He published many other poems over the next ten years, including the popular The Lady of the Lake, printed in 1810 and set in the Trossachs. Portions of the German translation of this work were set to music by Franz Schubert. One of these songs, "Ellens dritter Gesang", is popularly labelled as "Schubert's Ave Maria".

Beethoven's opus 108 "Twenty-Five Scottish Songs" includes 3 folk songs whose words are by Walter Scott.

Marmion, published in 1808, produced lines that have become proverbial. Canto VI. Stanza 17 reads:

Yet Clare's sharp questions must I shun
Must separate Constance from the nun
Oh! what a tangled web we weave
When first we practise to deceive!
A Palmer too! No wonder why
I felt rebuked beneath his eye.[22]

In 1809 Scott persuaded James Ballantyne and his brother to move to Edinburgh and to establish their printing press there. He became a partner in their business. As a political conservative,[23] Scott helped to found the Tory Quarterly Review, a review journal to which he made several anonymous contributions. Scott was also a contributor to the Edinburgh Review, which espoused Whig views.

Scott was ordained as an elder in the Presbyterian Church of Duddington and sat in the General Assembly for a time as representative elder of the burgh of Selkirk.

When the lease of Ashestiel expired in 1811, Scott bought Cartley Hole Farm, on the south bank of the River Tweed nearer Melrose. The farm had the nickname of "Clarty Hole" (Scots for "muddy hole"), and when Scott built a family cottage there in 1812 he named it "Abbotsford". He continued to expand the estate, and built Abbotsford House in a series of extensions.[7]

In 1813 Scott was offered the position of Poet Laureate. He declined, due to concerns that "such an appointment would be a poisoned chalice", as the Laureateship had fallen into disrepute, due to the decline in quality of work suffered by previous title holders, "as a succession of poetasters had churned out conventional and obsequious odes on royal occasions."[24] He sought advice from the Duke of Buccleuch, who counseled him to retain his literary independence, and the position went to Scott's friend, Robert Southey.[25]

Novels

A Legend of Montrose, illustration from the 1872 edition

Although Scott had attained worldwide celebrity through his poetry, he soon tried his hand at documenting his researches into the oral tradition of the Scottish Borders in prose fiction—stories and novels—at the time still considered aesthetically inferior to poetry (above all to such classical genres as the epic or poetic tragedy) as a mimetic vehicle for portraying historical events. In an innovative and astute action, he wrote and published his first novel, Waverley, anonymously in 1814. It was a tale of the Jacobite rising of 1745. Its English protagonist, Edward Waverley, like Don Quixote a great reader of romances, has been brought up by his Tory uncle, who is sympathetic to Jacobitism, although Edward's own father is a Whig. The youthful Waverley obtains a commission in the Whig army and is posted in Dundee. On leave, he meets his uncle's friend, the Jacobite Baron Bradwardine and is attracted to the Baron's daughter Rose. On a visit to the Highlands, Edward overstays his leave and is arrested and charged with desertion but is rescued by the Highland chieftain Fergus MacIvor and his mesmerizing sister Flora, whose devotion to the Stuart cause, "as it exceeded her brother's in fanaticism, excelled it also in purity". Through Flora, Waverley meets Bonnie Prince Charlie, and under her influence goes over to the Jacobite side and takes part in the Battle of Prestonpans. He escapes retribution, however, after saving the life of a Whig colonel during the battle. Waverley (whose surname reflects his divided loyalties) eventually decides to lead a peaceful life of establishment respectability under the House of Hanover rather than live as a proscribed rebel. He chooses to marry the beautiful Rose Bradwardine, rather than cast his lot with the sublime Flora MacIvor, who, after the failure of the '45 rising, retires to a French convent.

There followed a succession of novels over the next five years, each with a Scottish historical setting. Mindful of his reputation as a poet, Scott maintained the anonymity he had begun with Waverley, publishing the novels under the name "Author of Waverley" or as "Tales of..." with no author. Among those familiar with his poetry, his identity became an open secret, but Scott persisted in maintaining the façade, perhaps because he thought his old-fashioned father would disapprove of his engaging in such a trivial pursuit as novel writing. During this time Scott became known by the nickname "The Wizard of the North". In 1815 he was given the honour of dining with George, Prince Regent, who wanted to meet the "Author of Waverley".

"Edgar and Lucie at Mermaiden's well" by Charles Robert Leslie (1886), after Sir Walter Scott's Bride of Lammermoor. Lucie is wearing a full plaid.

Scott's 1819 series Tales of my Landlord is sometimes considered a subset of the Waverley novels and was intended to illustrate aspects of Scottish regional life. Among the best known is The Bride of Lammermoor, a fictionalized version of an actual incident in the history of the Dalrymple family that took place in the Lammermuir Hills in 1669. In the novel, Lucie Ashton and the nobly born but now dispossessed and impoverished Edgar Ravenswood exchange vows. But the Ravenswoods and the wealthy Ashtons, who now own the former Ravenswood lands, are enemies, and Lucie's mother forces her daughter to break her engagement to Edgar and marry the wealthy Sir Arthur Bucklaw. Lucie falls into a depression and on their wedding night stabs the bridegroom, succumbs to insanity, and dies. In 1821, French Romantic painter Eugène Delacroix painted a portrait depicting himself as the melancholy, disinherited Edgar Ravenswood. The prolonged, climactic coloratura mad scene for Lucia in Donizetti's 1835 bel canto opera Lucia di Lammermoor is based on what in the novel were just a few bland sentences.

Tales of my Landlord includes the now highly regarded novel Old Mortality, set in 1679–89 against the backdrop of the ferocious anti-Covenanting campaign of the Tory Graham of Claverhouse, subsequently made Viscount Dundee (called "Bluidy Clavers" by his opponents but later dubbed "Bonnie Dundee" by Scott). The Covenanters were presbyterians who had supported the Restoration of Charles II on promises of a Presbyterian settlement, but he had instead reintroduced Episcopalian church government with draconian penalties for Presbyterian worship. This led to the destitution of around 270 ministers who had refused to take an oath of allegiance and submit themselves to bishops, and who continued to conduct worship among a remnant of their flock in caves and other remote country spots. The relentless persecution of these conventicles and attempts to break them up by military force had led to open revolt. The story is told from the point of view of Henry Morton, a moderate Presbyterian, who is unwittingly drawn into the conflict and barely escapes summary execution. In writing Old Mortality Scott drew upon the knowledge he had acquired from his researches into ballads on the subject for Minstrelsy of the Scottish Border.[26] Scott's background as a lawyer also informed his perspective, for at the time of the novel, which takes place before the Act of Union of 1707, English law did not apply in Scotland, and afterwards Scotland has continued to have its own Scots law as a hybrid legal system. A recent critic, who is a legal as well as a literary scholar, argues that Old Mortality not only reflects the dispute between Stuart's absolute monarchy and the jurisdiction of the courts, but also invokes a foundational moment in British sovereignty, namely, the Habeas Corpus Act (also known as the Great Writ), passed by the English Parliament in 1679.[27] Oblique reference to the origin of Habeas corpus underlies Scott's next novel, Ivanhoe, set during the era of the creation of the Magna Carta, which political conservatives like Walter Scott and Edmund Burke regarded as rooted in immemorial British custom and precedent.

Ivanhoe (1819), set in 12th-century England, marked a move away from Scott's focus on the local history of Scotland. Based partly on Hume's History of England and the ballad cycle of Robin Hood, Ivanhoe was quickly translated into many languages and inspired countless imitations and theatrical adaptations. Ivanhoe depicts the cruel tyranny of the Norman overlords (Norman Yoke) over the impoverished Saxon populace of England, with two of the main characters, Rowena and Locksley (Robin Hood), representing the dispossessed Saxon aristocracy. When the protagonists are captured and imprisoned by a Norman baron, Scott interrupts the story to exclaim:

It is grievous to think that those valiant barons, to whose stand against the crown the liberties of England were indebted for their existence, should themselves have been such dreadful oppressors, and capable of excesses contrary not only to the laws of England, but to those of nature and humanity. But, alas ...fiction itself can hardly reach the dark reality of the horrors of the period. (Chapter 24.33)

The institution of the Magna Carta, which happens outside the time frame of the story, is portrayed as a progressive (incremental) reform, but also as a step towards the recovery of a lost golden age of liberty endemic to England and the English system. Scott puts a derisive prophecy in the mouth of the jester Wamba:

Norman saw on English oak.
On English neck a Norman yoke;
Norman spoon to English dish,
And England ruled as Normans wish;
Blithe world in England never will be more,
Till England's rid of all the four. (Ivanhoe, Ch. xxvii)

Although on the surface an entertaining escapist romance, alert contemporary readers would have quickly recognised the political subtext of Ivanhoe, which appeared immediately after the English Parliament, fearful of French-style revolution in the aftermath of Waterloo, had passed the Habeas Corpus Suspension acts of 1817 and 1818 and other extremely repressive measures, and when traditional English Charter rights versus revolutionary human rights was a topic of discussion.[28] Ivanhoe was also remarkable in its sympathetic portrayal of Jewish characters: Rebecca, considered by many critics the book's real heroine, does not in the end get to marry Ivanhoe, whom she loves, but Scott allows her to remain faithful to her own religion, rather than having her convert to Christianity. Likewise, her father, Isaac of York, a Jewish moneylender, is shown as a victim rather than a villain. In Ivanhoe, which is one of Scott's Waverley novels, religious and sectarian fanatics are the villains, while the eponymous hero is a bystander who must weigh the evidence and decide where to take a stand. Scott's positive portrayal of Judaism, which reflects his humanity and concern for religious toleration, also coincided with a contemporary movement for the Emancipation of the Jews in England.

Recovery of the Crown Jewels, baronetcy and ceremonial pageantry

Rediscovering the 'lost' Honours of Scotland in 1818
George IV landing at Leith in 1822

Scott's fame grew as his explorations and interpretations of Scottish history and society captured popular imagination. Impressed by this, the Prince Regent (the future George IV) gave Scott permission in a Royal Warrant dated 28 October 1817[29] to conduct a search for the Crown Jewels ("Honours of Scotland"). During the years of the Protectorate under Cromwell the Crown Jewels had been hidden away, but had subsequently been used to crown Charles II. They were not used to crown subsequent monarchs, but were regularly taken to sittings of Parliament, to represent the absent monarch, until the Act of Union 1707. Thereafter, the honours were stored in Edinburgh Castle, but the large locked box in which they were stored was not opened for more than 100 years, and stories circulated that they had been "lost" or removed. On 4 February 1818,[30] Scott and a small team of military men opened the box, and "unearthed" the honours from the Crown Room of Edinburgh Castle. On the 19 August 1818 through Scott's effort, his friend Adam Ferguson was appointed Deputy Keeper of The Scottish Regalia.[31] A grateful Prince Regent granted Scott the title of baronet,[32] and in March 1820 he received the baronetcy in London, becoming Sir Walter Scott, 1st Baronet.[33]

After George's accession to the throne, the city council of Edinburgh invited Scott, at the King's behest, to stage-manage the 1822 visit of King George IV to Scotland.[32] With only three weeks for planning and execution, Scott created a spectacular and comprehensive pageant, designed not only to impress the King, but also in some way to heal the rifts that had destabilised Scots society. He used the event to contribute to the drawing of a line under an old world that pitched his homeland into regular bouts of bloody strife. He, along with his "production team", mounted what in modern days could be termed a PR event, in which the King was dressed in tartan, and was greeted by his people, many of whom were also dressed in similar tartan ceremonial dress. This form of dress, proscribed after the 1745 rebellion against the English, became one of the seminal, potent and ubiquitous symbols of Scottish identity.[34]

In his novel Kenilworth, Elizabeth I is welcomed to the castle of that name by means of an elaborate pageant, the details of which Scott was well qualified to itemize.

Much of Scott's autograph work shows an almost stream-of-consciousness approach to writing. He included little in the way of punctuation in his drafts, leaving such details to the printers to supply.[35] He eventually acknowledged in 1827 that he was the author of the Waverley Novels.[34]

Financial problems and death

In 1825, a UK-wide banking crisis resulted in the collapse of the Ballantyne printing business, of which Scott was the only partner with a financial interest; the company's debts of £130,000 (equivalent to £9,800,000 in 2016) caused his very public ruin.[36] Rather than declare himself bankrupt, or to accept any kind of financial support from his many supporters and admirers (including the king himself), he placed his house and income in a trust belonging to his creditors, and determined to write his way out of debt. To add to his burdens, his wife, Lady Charlotte, died in 1826.

Whether in spite of these events, or because of them, Scott kept up his prodigious output. Between 1826 and 1832 producing six novels, two short stories and two plays, eleven works or volumes of non-fiction, and a journal, in addition to several unfinished works. The nonfiction works included the Life of Napoleon Buonaparte in 1827, two volumes of the History of Scotland in 1829 and 1830, four installments of the series entitled Tales of a Grandfather – Being Stories Taken From Scottish History, written one per year over the period 1828–1831, and Essays on Ballad Poetry in 1830, among several others. Finally, Scott had recently been inspired by the diaries of Samuel Pepys and Lord Byron, and he began keeping a journal over the period, which, however, would not be published until 1890, as The Journal of Sir Walter Scott.

Sir Walter Scott's grave at Dryburgh Abbey – the largest tomb is that of Sir Walter and Lady Charlotte. The engraved slab covers the grave of their son, Lt Col Sir Walter Scott. On the right is their son-in-law and biographer, John Gibson Lockhart

By then Scott's health was failing, but he nevertheless undertook a grand tour of Europe, and was welcomed and celebrated wherever he went. He returned to Scotland, but in an epidemic of typhus, became ill. At Abbotsford, the now grand home he had first built as a cottage, he died on September 21, 1832.[37]

Lady Charlotte had been buried as an Episcopalian; two Presbyterian ministers and one Episcopalian officiated at his funeral.[38] Scott was buried in Dryburgh Abbey, where his wife had earlier been interred. Nearby is a large statue of William Wallace, one of Scotland's many romanticised historical figures.[39]

Although Scott died owing money, his novels continued to sell, and the debts encumbering his estate were discharged shortly after his death.[36]

Other Languages
Afrikaans: Walter Scott
Alemannisch: Walter Scott
العربية: والتر سكوت
asturianu: Walter Scott
azərbaycanca: Valter Skott
تۆرکجه: والتر اسکات
беларуская: Вальтэр Скот
беларуская (тарашкевіца)‎: Ўолтэр Скот
български: Уолтър Скот
bosanski: Walter Scott
brezhoneg: Walter Scott
català: Walter Scott
čeština: Walter Scott
Cymraeg: Walter Scott
Deutsch: Walter Scott
Ελληνικά: Γουόλτερ Σκοτ
español: Walter Scott
Esperanto: Walter Scott
euskara: Walter Scott
français: Walter Scott
Gaeilge: Walter Scott
Gàidhlig: Walter Scott
galego: Walter Scott
한국어: 월터 스콧
հայերեն: Վալտեր Սքոթ
hrvatski: Walter Scott
Bahasa Indonesia: Walter Scott
interlingua: Walter Scott (1771)
íslenska: Walter Scott
italiano: Walter Scott
Basa Jawa: Walter Scott
ქართული: უოლტერ სკოტი
кырык мары: Скотт, Вальтер
latviešu: Valters Skots
lietuvių: Walter Scott
magyar: Walter Scott
македонски: Волтер Скот
Malagasy: Walter Scott
မြန်မာဘာသာ: ဆာဝေါ်လတာစကော့
norsk nynorsk: Walter Scott
oʻzbekcha/ўзбекча: Walter Scott
ਪੰਜਾਬੀ: ਵਾਲਟਰ ਸਕਾਟ
پنجابی: والٹر سکاٹ
Piemontèis: Walter Scott
polski: Walter Scott
português: Walter Scott
română: Walter Scott
Simple English: Walter Scott
slovenčina: Walter Scott
slovenščina: Walter Scott
српски / srpski: Волтер Скот
srpskohrvatski / српскохрватски: Walter Scott
svenska: Walter Scott
Tagalog: Walter Scott
татарча/tatarça: Вальтер Скотт
Türkçe: Walter Scott
українська: Вальтер Скотт
Tiếng Việt: Walter Scott
Winaray: Walter Scott