Twitch (Ministry album)

Twitch
Ministry twitch.jpeg
Studio album by
ReleasedMarch 12, 1986
Recorded1985
Studio
GenreEBM
Electro-industrial
Industrial dance
LabelSire
Producer
Ministry chronology
With Sympathy
(1983)
Twitch
(1986)
Twelve Inch Singles (1981–1984)
(1987)
Singles from Twitch
  1. "Over the Shoulder"
    Released: November 1985
Professional ratings
Review scores
SourceRating
AllMusic3/5 stars[1]
Encyclopedia of Popular Music3/5 stars[2]
MusicHound Rock3/5 stars[3]
Musicianpositive[4]
Robert ChristgauB-[5]
The Rolling Stone Album Guide2.5/5 stars[6]
Spin Alternative Record Guide6 / 10[7]

Twitch[nb 1] is the second studio album by American rock band Ministry, released on March 12, 1986 by Sire Records. Recorded mostly in London and West Berlin during 1985, it was produced by the band's frontman Al Jourgensen and On-U Sound Records owner Adrian Sherwood. It stepped away from the synthpop-oriented form of their debut studio album With Sympathy (1983) and moved toward a darker, more aggressive sound, heavily influenced by industrial dance groups Cabaret Voltaire and Front 242.

Preceded by "Over the Shoulder", with an accompanying video directed by Peter Christopherson, the album was supported by a concert tour of North America, which was the first to feature Paul Barker and Bill Rieflin in the line-up, playing bass guitar and drums, respectively. The album was released to mixed reviews.

Background and production

Shortly after touring in support of Ministry's debut album, With Sympathy, Al Jourgensen parted ways with Arista Records, and returned with the band to Wax Trax! Records as of mid-1984.[8] In that year’s Autumn, Ministry embarked on the tour of the East Coast with Belgian industrial dance band Front 242 as a supporting act;[9]:645[10] according to various accounts, Jourgensen began working on new music either during that tour or the same time With Sympathy was recorded.[11][12][8] In his 2013 autobiography, Ministry: The Lost Gospels..., Jourgensen said that, during an aforementioned tour, Seymour Stein had attended several gigs trying to offer the band a new deal with his record label Sire Records, a Warner Bros. Records subsidiary. As various accounts state, Jourgensen declined an offer, recalling his experience with Arista, but eventually volunteered, setting conditions that Sire would give Jourgensen complete creative control over his work, and would give resources to buy a Fairlight CMI synthesizer, and also to support the Wax Trax! imprint; as Jourgensen put it in 2013, "it was kind of a personal sacrifice to keep that company rolling and allow them to keep signing bands."[13] By Summer 1985, Ministry released several non-albums singles on Wax Trax!: “All Day”, “(Every Day Is) Halloween”, and “The Nature of Love”,[14][15] before getting signed to Sire.[16] By this point, Jourgensen remained the only official member of Ministry.[17][18]

Stein subsequently employed On-U Sound Records owner Adrian Sherwood as the record's principal producer, regarding his work with Depeche Mode on their 1984 singles "People Are People" and "Master and Servant".[19][20] Jourgensen, Sherwood, and Keith LeBlanc began work in Chicago in Spring 1985, before relocating in London-based Southern Studios;[17][9] the later sessions were held in West Berlin at Hansa Tonstudio.[19][21]:20[22][23] Recalling sessions in The Lost Gospels..., Jourgensen mostly regarded Sherwood for production advice, though he expressed dislike about his experience in London, citing cultural differences and conflicts with Sherwood’s friends; also he admitted that can’t "feel like this one's really mine because it's so Adrian Sherwood-influenced."[24][23]


Other Languages
español: Twitch (álbum)
日本語: トゥイッチ
português: Twitch
русский: Twitch (альбом)
Türkçe: Twitch