Publication history and contents
Fantasy and occult fiction had often appeared in popular magazines prior to the twentieth century, but the first magazine to specialize in the genre, Weird Tales, appeared in 1923 and by the 1930s was the genre's industry leader. Strange Tales, launched in 1931 by
Clayton Publications as a direct rival to Weird Tales, was one of a handful of magazines to seriously challenge for leadership of the field. It was edited by Harry Bates, who also edited Clayton's Astounding Stories of Super Science, which had begun publication the previous year. Strange Tales was launched as a fantasy magazine, but like Weird Tales it often published science-fiction stories, although unlike its rival its focus was on action stories rather than strange ideas. The title was originally planned to be Strange Stories, but Macfadden Publications, who had published True Strange Stories in 1929, challenged the title and forced Clayton to change it.
Bates paid two cents per word, a higher rate than Weird Tales, and attracted noted writers of the day. The magazine published "Wolves of Darkness" by Jack Williamson, "Murgunstruum" by Hugh B. Cave, and "Cassius" by Henry Whitehead. Clark Ashton Smith contributed five stories, including "The Return of the Sorcerer" in the first issue, and Edmond Hamilton and August Derleth also appeared in the magazine. Robert E. Howard, later to become famous as the author of the Conan the Barbarian stories, sent several stories to Strange Tales; some of the stories Bates rejected, such as "The Thing on the Roof" and "The Horror from the Mound", later appeared in Weird Tales, but Bates accepted "The People of the Dark" after asking for revisions, and it was published in the June 1932 issue. Howard also sold "The Valley of the Lost" to Bates, but it had not yet appeared when Clayton went bankrupt, and did not finally see publication until the 1960s.
H.P. Lovecraft submitted several stories to Bates in early 1931, before the first issue had appeared, but the only work of his that appeared in Strange Tales was Henry Whitehead's "The Trap", part of which had been ghostwritten by Lovecraft, and which appeared in the March 1932 issue. In one of Lovecraft's letters he comments that he would not contribute to Strange Tales because "Bates couldn't guarantee me immunity from the copy-slasher's shears and blue pencil", but unpublished letters of his make it clear that his stories were too atmospheric and lacking in action for Bates. Lovecraft's response was dismissive, and he was subsequently contemptuous of both Bates and Clayton in his letters.
The cover art for all seven covers was painted by Hans Wessolowski, under his professional name of "Wesso". Science-fiction historian Robert Weinberg asserts that Strange Tales published better material than Weird Tales during its short run, and fellow historian Mike Ashley regards it as a "close rival" to Weird Tales.
When Clayton went bankrupt in 1933, Astounding Stories was sold to Street & Smith, which planned to revive Strange Tales as well but ultimately did not. Some material acquired for this planned revival appeared in the October 1933 issue of Astounding instead.
Between 2003 and 2007, Wildside Press brought out three further issues, undated and numbered 8 through 10, edited by Robert M. Price. The contents included stories by L. Sprague de Camp, Richard Lupoff, and John Betancourt, and a reprint of "The Devil's Crypt", a story by E. Hoffmann Price that had appeared in
Strange Detective Stories.