Something the Lord Made

Something the Lord Made
Something the Lord Made.jpg
Written byPeter Silverman
Robert Caswell
Directed byJoseph Sargent
StarringMos Def
Alan Rickman
Kyra Sedgwick
Gabrielle Union
Mary Stuart Masterson
Original language(s)English
Production
Producer(s)Robert W. Cort
David Madden
Eric Hetzel
Julian Krainin
Mike Drake
CinematographyDonald M. Morgan
Editor(s)Michael Brown
Running time110 mins
Production company(s)HBO Films
Nina Saxon Film Design
Release
Original networkHBO
Original releaseMay 30, 2004

Something the Lord Made is a 2004 American made-for-television biographical drama film about the black cardiac pioneer Vivien Thomas and his complex and volatile partnership with white surgeon Alfred Blalock, the world-famous "Blue Baby doctor" who pioneered modern heart surgery. Based on the National Magazine Award-winning Washingtonian magazine article "Like Something the Lord Made" by Katie McCabe,[1] the film was directed by Joseph Sargent and written by Peter Silverman and Robert Caswell.

Plot summary

Something the Lord Made tells the story of the 34-year partnership that begins in Depression Era Nashville in 1930 when Blalock (Alan Rickman) hires Thomas (Mos Def) as an assistant in his Vanderbilt University lab, expecting him to perform janitorial work. But Thomas' remarkable manual dexterity and intellectual acumen confound Blalock's expectations, and Thomas rapidly becomes indispensable as a research partner to Blalock in his forays into heart surgery.

The film traces the two men's work when they move in 1943 from Vanderbilt to Johns Hopkins, an institution where the only black employees are janitors and where Thomas must enter by the back door. Together, they attack the congenital heart defect of Tetralogy of Fallot, also known as Blue Baby Syndrome, and in so doing they open the field of heart surgery.

Helen Taussig (Mary Stuart Masterson), the pediatrician/cardiologist at Johns Hopkins, challenges Blalock to come up with a surgical solution for her Blue Babies. She needs a new ductus for them to oxygenate their blood.

The duo is seen experimenting on stray dogs they got from the local dog pound, deliberately giving the dogs the heart defect and trying to solve it. The outcome looks good and they are excited to operate on a baby with the defect, but in a dream, Thomas sees the baby grown up and crying because she's dying. Thomas asks why she's dying in the dream and she says it's because she has a baby heart. Blalock interprets it as the fact that their sewing technique didn't work because the sutures didn't grow with the heart, and worked on a new version that would work.

The film dramatizes Blalock's and Thomas' fight to save the dying Blue Babies. Blalock praises Thomas' surgical skill as being "like something the Lord made", and insists that Thomas coach him through the first Blue Baby surgery over the protests of Hopkins administrators. Yet outside the lab, they are separated by the prevailing racism of the time. Blalock makes a mistake once by accidentally cutting an artery at the wrong place, but eventually, alongside with Thomas, succeeds. Thomas attends Blalock's parties as a bartender, moonlighting for extra income, and when Blalock is honored for the Blue Baby work at the segregated Belvedere Hotel, Thomas is not among the invited guests. Instead, he watches from behind a potted palm at the rear of the ballroom. From there, he listens to Blalock give credit to the other doctors who assisted in the work but make no mention of Thomas or his contributions. The next day, Thomas reveals that he saw the ceremony, and quits from his lab. However his heart is so with his work the work he left behind that he finds himself unhappy in other endeavors and decides to swallow his pride and return to Blalock.

One day before Blalock dies, he sees Thomas, now a professional surgeon and trainer in the open heart surgery wing. After Blalock's death, Thomas continued his work at Johns Hopkins training surgeons. At the end of the film, in a formal ceremony, Hopkins recognized Thomas' work and awarded him an honorary doctorate. A portrait of Thomas was placed on the walls of Johns Hopkins next to Blalock's portrait, which had been hung there years earlier.