Sling Blade (film)
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Theatrical release poster
David L. Bushell
|Screenplay by||Billy Bob Thornton|
by Billy Bob Thornton
|Box office||$24.4 million|
Sling Blade is a 1996 American
The film was adapted by Thornton from his previous screenplay for the
Karl Childers is an
Thanks to the doctor in charge of his institutionalization, Karl, who is highly skilled at repairing small engines, lands a job at a repair shop in the small town where he was born and raised. He befriends 12-year-old Frank Wheatley, and shares some of the details of his past, including the killings. Frank reveals that his father was killed when he was hit by a train, leaving him and his mother on their own. He later admits that he lied, and that his father committed suicide.
Frank introduces Karl to his mother, Linda, and her gay friend, Vaughan Cunningham. Vaughan is the manager of the
Karl quickly becomes a father figure to Frank, who misses his father, and despises Doyle, who becomes increasingly abusive towards everybody including his own friends. Eventually, Doyle, who is also the frontman of his own band, has a drunken outburst towards his fellow band members and kicks them out, and attempts to do the same with Karl and Vaughan. Linda tries kicking Doyle out of the house, despite his threats to kill her if she ever left him, and this leads to a physical confrontation with Linda and Frank, angering the boy, who throws things at Doyle until he finally leaves.
Things begin to look up for Karl, as he becomes more and more successful at his job, and is even set up on a date with Melinda, a coworker of Linda and Vaughan's, at a dinner party at Vaughan's house in which Linda, Frank, and Vaughan's partner Albert also attend. Despite this, however, Karl is haunted by an incident that happened when he was 6 or 8 years old. His parents performed an abortion of his unwanted baby brother, causing the baby to "come out too soon," and Karl was given a bloody towel wrapped around the baby, which survived the abortion. Karl was instructed to "get rid of it," but when Karl detected movement inside the towel, he inspected it, discovering "a little ol' boy" that "wasn't no bigger than a squirrel." While recounting this story to Frank, Frank asks why Karl did not just keep the baby, to which Karl replies that he had no way to care for a baby. He placed the baby, still in the bloody towel, inside a shoe box and buried the baby alive, saying he felt it was better to just "return him to the good Lord right off the bat," because of the abuse and neglect he received at the hands of his own parents.
A few days later, Linda and Doyle reconcile, who announces his plan to move into the house permanently, and to one day "pop the question" to Linda, much to Frank's anger. After a lot of thinking, Karl visits his father, who has become a mentally unbalanced hermit, living in the dilapidated home where Karl grew up. He tells his father that killing his baby brother was wrong, and that he had wanted to kill his father for making him do it, but eventually decided that he was not worth the effort.
Knowing that he has the upper hand again, Doyle confronts Karl and Frank shortly after Karl's baptism, and announces "big changes" including Karl's removal from the house; Doyle attempts to attack Frank when he retorts him, which is stopped by Karl who threatens Doyle never to touch Frank again, to no avail. Karl begins to realize that, eventually, either Frank is going to kill Doyle and end up just like him, or that Doyle's abuse will end up killing Frank and Linda. In order to prevent this, Karl makes Frank promise to spend the night at Vaughan's house. Karl then goes to Vaughan's house and asks to pick up Linda from her place, and have her stay over also; he then tells Vaughan that, even though homosexuality is a sin according to the Bible, that he doesn't think the Lord would ever send someone as nice as him to Hell, and that he doesn't have to "go with women" to be a good father to Frank.
Karl returns to Linda's house, but seems undecided about whether to enter. When confronted, a drunk Doyle asks what Karl is doing with the lawnmower blade he had sharpened and fashioned into a weapon. Karl replies, "I aim to kill you with it," but not before asking how to reach the police by telephone. Not taking Karl seriously, Doyle says he should dial 911 and request "an ambulance, or a
Returned to the state hospital, he seems to be a different person than he was during his previous institutionalization. He silences a sexual predator who had previously forced him to listen to tales of his horrible deeds, before standing to look out of the window towards a field, having learned the value of sacrificing one's self to save others.