Shoah (film)

Shoah
Shoah poster 1985 US.jpg
US theatrical release poster
Directed byClaude Lanzmann
Starring
Cinematography
  • Dominique Chapuis
  • Jimmy Glasberg
  • Phil Gries
  • William Lubtchansky
Edited by
  • Ziva Postec
  • Anna Ruiz
Distributed byNew Yorker Films
Release date
Paris, 30 April 1985[1]
Running time
566 minutes[2]
CountryFrance
Language
  • English
  • French
  • German
  • Hebrew
  • Polish
  • Yiddish
Awards
Box office$20,175[3]

Shoah is a 1985 French documentary film about the Holocaust,[a] directed by Claude Lanzmann. Over nine hours long and 11 years in the making, the film presents Lanzmann's interviews with survivors, witnesses and perpetrators during visits to German Holocaust sites across Poland, including extermination camps.[5]

Released in Paris in April 1985, Shoah won critical acclaim and several prominent awards, including the New York Film Critics Circle Award for Best Non-Fiction Film and the BAFTA Award for Best Documentary. Simone de Beauvoir hailed it as a "sheer masterpiece", while documentary maker Marcel Ophüls called it "the greatest documentary about contemporary history ever made".[6] The film was not well received in Poland; the Polish government argued that it accused Poland of "complicity in Nazi genocide".[7]

Shoah premiered in New York at the Cinema Studio in October 1985[8] and was broadcast in the United States by PBS over four nights in 1987. In 2000 it was released on VHS and in 2010 on DVD.[9] Lanzmann's 350 hours of raw footage, along with the transcripts, are available on the website of the United States Holocaust Memorial Museum.[10][11]

The entire 566-minute film was digitally restored and remastered by The Criterion Collection over 2012–13 in 2k resolution, from the original 16mm negatives. The monaural audio track was remastered without compression. A Blu-ray edition in three disks was then produced from these new masters, including three additional films by Lanzmann.

Synopsis

Overview

The film is concerned chiefly with four topics: the Chełmno extermination camp, where mobile gas vans were first used by Germans to exterminate Jews; the death camps of Treblinka and Auschwitz-Birkenau; and the Warsaw ghetto, with testimonies from survivors, witnesses and perpetrators.

The sections on Treblinka include testimony from Abraham Bomba, who survived as a barber;[12] Richard Glazar, an inmate; and Franz Suchomel, an SS officer. Bomba breaks down while describing how a barber friend of his came across his wife and sister while cutting hair in an anteroom of the gas chamber. This section includes Henryk Gawkowski, who drove transport trains while intoxicated with vodka. Gawkowski's photograph appears on the poster used for the film's marketing campaign.

Testimonies on Auschwitz are provided by Rudolf Vrba, who escaped from the camp before the end of the war;[13] and Filip Müller, who worked in an incinerator burning the bodies from the gassings. Müller recounts what prisoners said to him, and describes the experience of personally going into the gas chamber: bodies were piled up by the doors "like stones". He breaks down as he recalls the prisoners starting to sing while being forced into the gas chamber. Accounts include some from local villagers, who witnessed trains heading daily to the camp and returning empty; they quickly guessed the fate of those on board.

Jan Karski was interviewed by Lanzmann in the winter of 1978–1979 in Washington, D.C.[14]

Lanzmann also interviews bystanders. He asks whether they knew what was going on in the death camps. Their answers reveal that they did, but they justified their inaction by the fear of death. Two survivors of Chełmno are interviewed: Simon Srebnik, who was forced to sing military songs to entertain the Nazis; and Mordechaï Podchlebnik. Lanzmann also has a secretly filmed interview with Franz Schalling, a German security guard, who describes the workings of Chełmno. Walter Stier, a former Nazi bureaucrat, describes the workings of the railways. Stier insists he was too busy managing railroad traffic to notice his trains were transporting Jews to their deaths.

The Warsaw ghetto is described by Jan Karski, a member of the Polish Underground who worked for the Polish government-in-exile, and Franz Grassler, a Nazi administrator in Warsaw who liaised with Jewish leaders. A Christian, Karski sneaked into the Warsaw ghetto and travelled using false documents to England to try to convince the Allied governments to intervene more strongly on behalf of the Jews.[14] Memories from Jewish survivors of the Warsaw Ghetto uprising conclude the documentary. Lanzmann also interviews Holocaust historian Raul Hilberg, who discusses the significance of Nazi propaganda against the European Jews and the Nazi development of the Final Solution and a detailed analysis of railroad documents showing the transport routes to the death camps. The complete text of the film was published in 1985.

Franz Suchomel

Corporal Franz Suchomel, interviewed by Lanzmann in Germany on 27 April 1976, was an SS officer who had worked at Treblinka.[15] Suchomel agreed to be interviewed for DM 500, but he refused to be filmed, so Lanzmann used hidden recording equipment while assuring Suchomel that he would not use his name. Documentary maker Marcel Ophüls wrote: "I can hardly find the words to express how much I approve of this procedure, how much I sympathize with it."[16]

Suchomel talks in detail about the camp's gas chambers and the disposal of bodies. He states that he did not know about the extermination at Treblinka until he arrived there. On his first day he says he vomited and cried after encountering trenches full of corpses, 6–7 m deep, with the earth around them moving in waves because of the gases. The smell of the bodies carried for kilometres depending on the wind, he said, but local people were scared to act in case they were sent to the work camp, Treblinka 1.[17]:p.7-8

He explained that from arrival at Treblinka to death in the gas chambers took 2–3 hours for a trainload of people. They would undress, the women would have their hair cut, then they would wait naked outside, including during the winter in minus 10–20 °C, until there was room in the gas chamber. Suchomel told Lanzmann that he would ask the hairdressers to slow down so that the women would not have to wait so long outside.[17]:p.19-20

Compared to the size and complexity of Auschwitz, Suchomel calls Treblinka "primitive. But a well-functioning assembly line of death."[17]:p.16

Man in the poster

The publicity poster for the film features Henryk Gawkowski, a Polish train worker from Malkinia, who, in 1942–1943 when he was 20–21 years old,[18] worked on the trains to Treblinka as an "assistant machinist with the right to drive the locomotive".[19] Conducted in Poland in July 1978, the interview with Gawkowski is shown 48 minutes into the film, and is the first to present events from the victims' perspective. Lanzmann hired a steam locomotive similar to the one Gawkowski worked on, and shows the tracks and a sign for Treblinka.[20]

Gawkowski told Lanzmann that every train had a Polish driver and assistant, accompanied by German officers.[21] What happened was not his fault, he said; had he refused to do the job, he would have been sent to a work camp. He would have killed Hitler himself had he been able to, he told Lanzmann.[22] Lanzmann estimated that 18,000 Jews were taken to Treblinka by the trains Gawkowski worked on.[21] Gawkowski said he had driven Polish Jews there in cargo trains in 1942, and Jews from France, Greece, Holland and Yugoslavia in passenger trains in 1943. A train carrying Jews was called a Sonderzug (special train); the "cargo" was given false papers to disguise that humans beings were being hauled.[23] The Germans gave the train workers vodka as a bonus when they drove a Sonderzug; Gawkowski drank liberally to make the job bearable.[24]

Gawkowski drove trains to the Treblinka train station and from the station into the camp itself.[23] He said the smell of burning was unbearable as the train approached the camp.[25] The railcars would be driven into the camp by the locomotive in three stages; as he drove one convoy into Treblinka, he would signal to the ones that were waiting by making a slashing movement across his throat. The gesture would cause chaos in those convoys, he said; passengers would try to jump out or throw their children out.[26] Dominick LaCapra wrote that the expression on Gawkowski's face when he demonstrated the gesture for Lanzmann seemed "somewhat diabolical".[27] Lanzmann grew to like Gawkowski over the course of the interviews, writing in 1990: "He was different from the others. I have sympathy for him because he carries a truly open wound that does not heal."[28]

Other Languages
български: Шоа (филм)
Deutsch: Shoah (Film)
فارسی: شوآ (فیلم)
français: Shoah (film)
italiano: Shoah (film)
עברית: שואה (סרט)
Nederlands: Shoah (film)
polski: Shoah (film)
русский: Шоа (фильм)
svenska: Shoah (film)