Robert Ervin Howard (January 22, 1906 – June 11, 1936) was an American author who wrote pulp fiction in a diverse range of genres. He is well known for his character Conan the Barbarian and is regarded as the father of the sword and sorcery subgenre.
Howard was born and raised in Texas. He spent most of his life in the town of Cross Plains, with some time spent in nearby Brownwood. A bookish and intellectual child, he was also a fan of boxing and spent some time in his late teens bodybuilding, eventually taking up amateur boxing. From the age of nine he dreamed of becoming a writer of adventure fiction but did not have real success until he was 23. Thereafter, until his death by suicide at age 30, Howard's writings were published in a wide selection of magazines, journals, and newspapers, and he became proficient in several subgenres. His greatest success occurred after his death.
Although a Conan novel was nearly published in 1934, Howard's stories were never collected during his lifetime. The main outlet for his stories was Weird Tales, where Howard created Conan the Barbarian. With Conan and his other heroes, Howard helped fashion the genre now known as sword and sorcery, spawning many imitators and giving him a large influence in the fantasy field. Howard remains a highly-read author, with his best works still reprinted.
Howard's suicide and the circumstances surrounding it have led to speculation about his mental health. His mother had been ill with tuberculosis his entire life, and upon learning she had entered a coma from which she was not expected to wake, he walked out to his car and shot himself in the head.
During Howard's youth his parents' relationship began to break down. The Howard family had problems with money which may have been exacerbated by Isaac Howard investing in get-rich-quick schemes. Hester Howard, meanwhile, came to believe that she had married below herself. Soon the pair were actively fighting. Hester did not want Isaac to have anything to do with their son. She had a particularly strong influence on her son's intellectual growth. She had spent her early years helping a variety of sick relatives, contracting tuberculosis in the process. She instilled in her son a deep love of poetry and literature, recited verse daily and supported him unceasingly in his efforts to write.
Other experiences would later seep into his prose. Although he loved reading and learning, he found school to be confining and began to hate having anyone in authority over him. Experiences watching and confronting bullies revealed the omnipresence of evil and enemies in the world, and taught him the value of physical strength and violence. As the son of the local doctor, Howard had frequent exposure to the effects of injury and violence, due to accidents on farms and oil fields combined with the massive increase in crime that came with the oil boom. Firsthand tales of gunfights, lynchings, feuds, and Indian raids developed his distinctly Texan, hardboiled outlook on the world. Sports, especially boxing, became a passionate preoccupation. At the time, boxing was the most popular sport in the country, with a cultural influence far in excess of what it is today. James J. Jeffries, Jack Johnson, Bob Fitzsimmons, and later Jack Dempsey were the names that inspired during those years, and he grew up a lover of all contests of violent, masculine struggle.
Voracious reading, along with a natural talent for prose writing and the encouragement of teachers, created in Howard an interest in becoming a professional writer. From the age of nine he began writing stories, mostly tales of historical fiction centering on Vikings, Arabs, battles, and bloodshed. One by one he discovered the authors who would influence his later work: Jack London and his stories of reincarnation and past lives, most notably The Star Rover (1915); Rudyard Kipling's tales of subcontinent adventures; the classic mythological tales collected by Thomas Bulfinch. Howard was considered by friends to be eidetic, and astounded them with his ability to memorize lengthy reams of poetry with ease after one or two readings.
In 1919, when Howard was thirteen, Dr. Howard moved his family to the Central Texas hamlet of Cross Plains, and there the family would stay for the rest of Howard's life. Howard's father bought a house in the town with a cash down payment and made extensive renovations. That same year, sitting in a library in New Orleans while his father took medical courses at a nearby college, Howard discovered a book concerned with the scant fact and abundant legends surrounding an indigenous culture in ancient Scotland called the Picts.
In 1920, on February 17, the Vestal Well within the limits of Cross Plains struck oil and Cross Plains became an oil boomtown. Thousands of people arrived in the town looking for oil wealth. New businesses sprang up from scratch and the crime rate increased to match. Cross Plains' population quickly grew from 1,500 to 10,000, it suffered overcrowding, the traffic ruined its unpaved roads and vice crime exploded but it also used its new wealth on civic improvements, including a new school, an ice manufacturing plant, and new hotels. Howard hated the boom and despised the people who came with it. He was already poorly disposed towards oil booms as they were the cause of the constant traveling in his early years but this was aggravated by what he perceived to be the effect oil booms had on towns.
"I'll say one thing about an oil boom; it will teach a kid that Life's a pretty rotten thing as quick as anything I can think of."
—Robert E. Howard in a letter to Weird Tales editor Farnsworth Wright, Summer 1931.
At fifteen Howard first sampled pulp magazines, especially Adventure and its star authors Talbot Mundy and Harold Lamb. The next few years saw him creating a variety of series characters. Soon he was submitting stories to magazines such as Adventure and Argosy. Rejections piled up, and with no mentors or instructions of any kind to aid him, Howard became a writing autodidact, methodically studying the markets and tailoring his stories and style to each.
In the fall of 1922, when Howard was sixteen, he temporarily moved to a boarding house in the nearby city of Brownwood to complete his senior year of high school, accompanied by his mother. It was in Brownwood that he first met friends his own age who shared his interest not only for sports and history but also writing and poetry. The two most important of these, Tevis Clyde Smith and Truett Vinson, shared his Bohemian and literary outlook on life, and together they wrote amateur papers and magazines, exchanged long letters filled with poetry and existential thoughts on life and philosophy, and encouraged each other's writing endeavors. Through Vinson, Howard was introduced to The Tattler, the newspaper of the Brownwood High School. It was in this publication that Howard's stories were first printed. The December 1922 issue featured two stories, "'Golden Hope Christmas" and "West is West," which won gold and silver prizes respectively.
Howard graduated from high school in May 1923 and moved back to Cross Plains. On his return to his home town, he engaged in a self-created regimen of exercise, including cutting down oak trees and chopping them into firewood every day, lifting weights, punching a bag and springing exercises; eventually building himself from a skinny teenager into a more muscled, burly form.
Robert E. Howard in his Senior Year at Brownwood High School, 1923.
Howard spent his late teens working odd jobs around Cross Plains, all of which he hated. In 1924, Howard returned to Brownwood to take a stenography course at Howard Payne College, this time boarding with his friend Lindsey Tyson instead of his mother. Howard would have preferred a literary course but was not allowed to take one for some reason. Biographer Mark Finn suggests that his father refused to pay for such a non-vocational education. In the week of Thanksgiving that year, and after years of rejection slips and near acceptances, he finally sold a short caveman tale titled "Spear and Fang", which netted him the sum of $16 and introduced him to the readers of a struggling pulp called Weird Tales.
Now that his career in fiction had begun, Howard dropped out of Howard Payne College at the end of the semester and returned to Cross Plains. Shortly afterwards, he received notice that another story, "The Hyena," had been accepted by Weird Tales. During the same period, Howard made his first attempt to write a novel, a loosely autobiographical book modeled on Jack London's Martin Eden and titled Post Oaks & Sand Roughs. The book was otherwise of middling quality and was never published in the author's lifetime but it is of interest to Howard scholars for the personal information it contains. Howard's alter ego in this novel is Steve Costigan, a name he would use more than once in the future. The novel was finished in 1928 but not published until long after his death.
Weird Tales paid on publication, meaning that Howard had no money of his own at this time. To remedy this, he took a job writing oil news for the local newspaper Cross Plains Review at $5 per column. It was not until July 1925 that Howard received payment for his first printed story. Howard lost his job at the newspaper in the same year and spent one month working in a post office before quitting over the low wages. His next job, at the Cross Plains Natural Gas Company, did not last long due to his refusal to be subservient to his boss. He did manual labor for a surveyor for a time before beginning a job as a stenographer for an oil company.
In conjunction with his friend Tevis Clyde Smith, he dabbled heavily in verse, writing hundreds of poems and getting dozens published in Weird Tales and assorted poetry journals. With poor sales, and many publishers recoiling from his subject matter, Howard ultimately judged poetry writing a luxury he could not afford, and after 1930 he wrote little verse, instead dedicating his time to short stories and higher-paying markets. Nevertheless, as a result of this apprenticeship, his stories increasingly took on the aura of "prose-poems" filled with hypnotic, dreamy imagery and a power lacking in most other pulp efforts of the time.
Further story sales to Weird Tales were sporadic but encouraging, and soon Howard was a regular in the magazine. His first cover story was for "Wolfshead", a werewolf story published when he was only twenty. On reading "Wolfshead" in Weird Tales Howard became dismayed with his writing. He quit his stenographer's job to work at Robertson's Drug Store, where he rose to become head soda jerk on $80 per week. However, he resented the job itself and worked such long hours every day of the week that he became ill. He relaxed by visiting the Neeb Ice House, to which he was introduced by an oil-field worker befriended at the drug store, to drink and began to take part in boxing matches. These matches became an important part of his life; the combination of boxing and writing provided an outlet for his frustrations and anger.
Sword and sorcery
Weird Tales (August 1928) featuring "Red Shadows," the first Solomon Kane story
In August 1926, Howard quit his exhausting job at the drug store and, in September, returned to Brownwood to complete his bookkeeping course. It was during this August that he began working on the story that would become "The Shadow Kingdom", one of the most important works of his career. While at college, Howard wrote for their newspaper, The Yellow Jacket. One of the short stories printed in this newspaper was a comedy called "Cupid vs. Pollux." This story is Howard's earliest surviving boxing story known to exist; it is told in the first person, uses elements of a traditional tall-tale and is a fictionalized account of Howard (as "Steve") and his friend Lindsey Tyson (as "Spike") training for a fight. This story and the elements it uses would also be important in Howard's literary future.
In May 1927, after having to return home due to contracting measles and then being forced to retake the course, Howard passed his exams. While waiting for the official graduation in August, he returned to writing, including a re-write of "The Shadow Kingdom." He rewrote it again in August and submitted it to Weird Tales in September. This story was an experiment with the entire concept of the "weird tale" horror fiction as defined by practitioners such as Edgar Allan Poe, A. Merritt, and H. P. Lovecraft; mixing elements of fantasy, horror and mythology with historical romance, action and swordplay into thematic vehicles never before seen, a new style of tale which ultimately became known as "sword and sorcery".[nb 6][nb 7] Featuring Kull, a barbarian precursor to later Howard heroes such as Conan, the tale hit Weird Tales in August 1929 and received fanfare from readers. Weird Tales editor Farnsworth Wright bought the story for $100, the most Howard had earned for a story at this time, and several more Kull stories followed. However, all but two were rejected, convincing Howard not to continue the series.
Oriental Stories (Feb–Mar 1931) featuring "Red Blades of Black Cathay" by Howard and his best friend Tevis Clyde Smith.
In March 1928, Howard salvaged and re-submitted to Weird Tales a story rejected by the more popular pulp Argosy, and the result was "Red Shadows", the first of many stories featuring the vengeful Puritan swashbuckler Solomon Kane. Appearing in the August 1928 issue of Weird Tales, the character was a big hit with readers and this was the first of Howard's characters to sustain a series in print beyond just two stories (seven Kane stories were printed in the 1928–32 period). As the magazine published the Solomon Kane tale before Kull, this can be considered the first published example of sword and sorcery.
1929 was the year Howard broke out into other pulp markets, rather than just Weird Tales. The first story he sold to another magazine was "The Apparition in the Prize Ring," a boxing-related ghost story published in the magazine Ghost Stories. In July of the same year, Argosy finally published one of Howard's stories, "Crowd-Horror", which was also a boxing story. Neither developed into ongoing series, however.
After several minor successes and false starts, he struck gold again with a new series based on one of his favorite passions: boxing. July 1929 saw the debut of Sailor Steve Costigan in the pages of Fight Stories. A tough-as-nails, two-fisted mariner with a head of rocks and occasionally a heart of gold, Costigan began boxing his way through a variety of exotic seaports and adventure locales, becoming so popular in Fight Stories that the same editors began using additional Costigan episodes in their sister magazine Action Stories. The series saw a return to Howard's use of humor and (unreliable) first-person narration, with the combination of a traditional tall tale and slapstick comedy. Stories sold to Fight Stories provided Howard with a market just as stable as Weird Tales.
Due to his success in Fight Stories, Howard was contacted by the publisher Street & Smith in February 1931 with a request to move the Steve Costigan stories to their own pulp Sport Story Magazine. Howard refused but created a new, similar series just for them based on a boxer called Kid Allison. Howard wrote ten stories for this series but Sport Story only published three of them.
With solid markets now all buying up his stories regularly, Howard quit taking college classes, and indeed would never again work a regular job. At twenty-three years of age, from the middle of nowhere in Texas, he had become a full-time writer; he was making good money and his father began bragging about his success, not to mention buying multiple copies of his work in the pulps.
Howard's "Celtic phase" began in 1930, during which he became fascinated by Celtic themes and his own Irish ancestry. He shared this enthusiasm with Harold Preece, a friend made in Austin in the summer of 1927; Howard's letters to both Preece and Clyde Smith contain much Irish-related material and discussion. Howard taught himself a little Gaelic, examined the Irish parts of his family history and began writing about Irish characters. Turlogh Dubh O'Brien and Cormac Mac Art were created at this time, although he was not able to sell the latter's stories.
When Farnsworth Wright started a new pulp in 1930 called Oriental Stories, Howard was overjoyed—here was a venue where he could run riot through favorite themes of history and battle and exotic mysticism. During the four years of the magazine's existence, he crafted some of his very best tales, gloomy vignettes of war and rapine in the Middle and Far East during the Middle Ages and the early Renaissance, tales that rival even his best Conan stories for their historical sweep and splendor. In addition to series characters such as Turlogh Dubh O'Brien and Cormac Fitzgeoffrey, Howard sold a variety of tales depicting various times and periods from the fall of Rome to the fifteenth century. The magazine eventually ceased publication in 1934 due to the Depression, leaving several of Howard's stories aimed at this market unsold.
In August 1930 Howard wrote a letter to Weird Tales praising a recent reprint of H. P. Lovecraft's "The Rats in the Walls" and discussing some of the obscure Gaelic references used within. Editor Farnsworth Wright forwarded the letter to Lovecraft, who responded warmly to Howard, and soon the two Weird Tales veterans were engaged in a vigorous correspondence that would last for the rest of Howard's life. By virtue of this, Howard quickly became a member of the "Lovecraft Circle", a group of writers and friends all linked via the immense correspondence of H.P. Lovecraft, who made it a point to introduce his many like-minded friends to one another and encourage them to share stories, utilize each other's invented fictional trappings, and help each other succeed in the pulp field. In time this circle of correspondents has developed a legendary patina about it rivaling similar literary conclaves such as The Inklings, the Bloomsbury Group, and the Beats.[nb 8]
The correspondence between Howard and Lovecraft contained a lengthy discussion on a frequent element in Howard's fiction, barbarism versus civilization. Howard held that civilization was inherently corrupt and fragile. This attitude is summed up in his famous line from "Beyond the Black River": "Barbarism is the natural state of mankind. Civilization is unnatural. It is a whim of circumstance. And barbarism must always ultimately triumph." Lovecraft held the opposite viewpoint, that civilization was the peak of human achievement and the only way forward. Howard countered by listing many historic abuses of the citizenry by so-called 'civilized' leaders. Howard initially deferred to Lovecraft but gradually asserted his own views, even coming to deride Lovecraft's opinions.
In 1930, with his interest in Solomon Kane dwindling and his Kull stories not catching on, Howard applied his new sword-and-sorcery and horror experience to one of his first loves: the Picts. His story "Kings of the Night" depicted King Kull conjured into pre-Christian Britain to aid the Picts in their struggle against the invading Romans, and introduced readers to Howard's king of the Picts, Bran Mak Morn. Howard followed up this tale with the now-classic revenge nightmare "Worms of the Earth" and several other tales, creating horrific adventures tinged with a Cthulhu-esque gloss and notable for their use of metaphor and symbolism.
With the onset of the Great Depression, many pulp markets reduced their schedules or went out of business entirely. Howard saw market after market falter and vanish. Weird Tales became a bimonthly publication and pulps such as Fight Stories, Action Stories and Strange Tales all folded. Howard was further hit when his savings were wiped out in 1931 when the Farmer's National Bank failed, and again, after transferring to another bank, when that one failed as well.[clarification needed]
Weird Tales (May 1934) featuring "Queen of the Black Coast." This was the first of only three covers featuring Conan, although nine Conan stories featured on the cover in total.
Early 1932 saw Howard taking one of his frequent trips around Texas. He traveled through the southern part of the state with his main occupation being, in his own words, "the wholesale consumption of tortillas, enchiladas and cheap Spanish wine." In Fredericksburg, while overlooking sullen hills through a misty rain, he conceived of the fantasy land of Cimmeria, a bitter hard northern region home to fearsome barbarians. In February, while in Mission, he wrote the poem Cimmeria.
It was also during this trip that Howard first conceived of the character of Conan. Later, in 1935, Howard claimed in a letter to Clark Ashton Smith that Conan "simply grew up in my mind a few years ago when I was stopping in a little border town on the lower Rio Grande." However, the character actually took nine months to develop.
Howard had originally used the name "Conan" for a Gael reaver in a past-life-themed story he completed in October 1931, which was published in the magazine Strange Tales in June 1932. Although the character swears by the god "Crom", that is his only link to the more famous successor character.
Going back home he developed the idea, fleshing out a new invented world—his Hyborian Age—and populating it with all manner of countries, peoples, monsters, and magic. Howard loved history and enjoyed writing historical stories. However, the research necessary for a purely historical setting was too time consuming for him to engage in on a regular basis and still earn a living. The Hyborian Age, with its varied settings similar to real places and eras of history, allowed him to write pseudo-historical fiction without such problems. He may have been inspired in the creation of his setting by Thomas Bulfinch's 1913 edition of his Bulfinch's Mythology called The Outline of Mythology, which contained stories from history and legend, including many which were direct influences on Howard's work. Another potential inspiration is G. K. Chesterton's The Ballad of the White Horse and Chesterton's concept that "it is the chief value of legend to mix up the centuries while preserving the sentiment."
By March, Howard had recycled an unpublished Kull story called "By This Axe I Rule!" into his first Conan story. The central plot remains that of a barbarian having become king of a civilized country and a conspiracy to assassinate him. However, he removed an entire subplot concerning a couple's romance and created a new one with a supernatural element; the story was re-titled "The Phoenix on the Sword", an element from this new subplot. Howard immediately went on to write two more Conan stories. The first of these was "The Frost-Giant's Daughter", an inversion of the Greek myth surrounding Apollo and Daphne, set much earlier in Conan's life. The last of the initial trio was "The God in the Bowl", which went through three drafts and has a slower pace than most Conan stories. This one is a murder mystery filled with corrupt officials and serves as Conan's introduction into civilization, while showing that he is a more decent person than the civilized characters. Before the end of the month, he sent the first two stories to Weird Tales in the same package, with the third following a few days later.
With these three completed he created an essay called "The Hyborian Age" in order to flesh out his setting in more detail. There were four drafts of this essay, starting with a two-page outline and finishing as an 8,000-word essay. Howard supplemented this with two sketched maps and an additional short piece entitled "Notes on Various Peoples of the Hyborian Age."
Weird Tales (September 1934) featuring "The People of the Black Circle," the first of the late period Conan stories.
In a letter dated March 10, 1932, Farnsworth Wright rejected "The Frost-Giant's Daughter" but noted that "The Phoenix on the Sword" had "points of real excellence" and suggested changes. "The God in the Bowl" would also be rejected and so a potential fourth Conan story concerning Conan as a thief was abandoned at the synopsis stage. Instead of abandoning the entire Conan concept, as had happened with previous failed characters, Howard rewrote "The Phoenix on the Sword" based on Wright's feedback and including material from his essay. Both this revision and the next Conan story, "The Tower of the Elephant", sold with no problems. Howard had written nine Conan stories before the first saw print.
Conan first appeared to the public in Weird Tales in December 1932 and was such a hit that Howard was eventually able to place seventeen Conan stories in the magazine between 1933 and 1936. Howard then took a short break from Conan after his initial burst of stories, returning to the character in mid-1933. These stories, his "middle period," are routine and considered the weakest of the series. Stories, such as "Iron Shadows in the Moon", were often simply Conan rescuing a damsel in distress from a monster in some ruins. While earlier Conan stories had three or four drafts, some in this period had only two including the final version. "Rogues in the House" is the only Conan story to be completed in a single draft. These stories sold easily and they include the first and second Conan stories to feature on the cover of Weird Tales, "Black Colossus" and "Xuthal of the Dusk". Howard's motivation for quick and easy sales at this time was influenced by the collapse of some other markets, such as Fight Stories, in the Depression.
Also in this period, Howard wrote the first of the James Allison stories, "Marchers of Valhalla." Allison is a disabled Texan who begins to recall his past lives, the first of which is in the later part of Howard's new Hyborian age. In a letter to Clark Ashton Smith in October 1933, he wrote that its sequel "The Garden of Fear" was "dealing with one of my various conceptions of the Hyborian and post-Hyborian world."
In May 1933, a British publisher, Denis Archer, contacted Howard about publishing a book in the United Kingdom. Howard submitted a batch of his best available stories, including "The Tower of the Elephant" and "The Scarlet Citadel", on June 15. In January 1934 the publisher rejected the collection but suggested a novel instead. Though the publisher was "exceedingly interested" in the stories, the rejection letter explained that there was a "prejudice that is very strong over here just now against collections of short stories." The suggested novel, however, could be published by Pawling and Ness Ltd in a first edition of 5,000 copies for lending libraries.
In late 1933 Howard returned to Conan, starting again slightly awkwardly with "The Devil in Iron". However, this was followed with the beginning of the latter group of Conan stories which "carry the most intellectual punch," starting with "The People of the Black Circle".
Weird Tales (December 1935) featuring the first installment of the novel The Hour of the Dragon.
Howard probably began to work on the novel in February 1934, starting to write Almuric (a non-Conan, sword and planet science fiction novel) but abandoned it half way. This was followed by another abortive attempt at a novel, this time a Conan novel which later became Drums of Tombalku. The third attempt at writing the novel was more successful, resulting in Howard's only Conan novel The Hour of the Dragon, which was probably started on or around March 17, 1934. This novel combines elements of two previous Conan stories, "Black Colossus" and "The Scarlet Citadel," with Arthurian myth and provides an overview of Conan and the Hyborian age for the new British audience. Howard sent his final draft to Denis Archer on May 20, 1934. He had worked exclusively on the novel for two months, writing approximately 5,000 words per day, seven days a week. Although he told acquaintances that he had little hope for this novel, he had put a lot of effort into it. However, the publisher went into receivership in late 1934, before it could print the novel. The story was briefly held as part of the company's assets before being returned to Howard. It was later printed in Weird Tales as a serial over five months, beginning with the December 1935 issue.
Howard may have begun losing interest in Conan in late 1934, with a growing desire to write westerns. He began to write, although never finished, a Conan story called "Wolves Beyond the Border". This was the first Conan tale to have an explicit (Robert W. Chambers-influenced) American setting, although American themes had appeared earlier, and the only one in which Conan himself does not appear. His next story was based on his unfinished material and became "Beyond the Black River" which not only used the different American-frontier setting but was also, in Howard's own words, a "Conan yarn without sex interest." In another novel twist, Conan and the other protagonists have, at best, a pyrrhic victory; this was rare for pulp magazines. This was followed by another experimental Conan story, "The Black Stranger", with a similar setting. The story was, however, rejected by Weird Tales, which was rare for later Conan stories. Howard's next piece, "The Man-Eaters of Zamboula", was more formulaic and was accepted by the magazine with no problems. Howard only wrote one more Conan story, "Red Nails," which was influenced both by his personal experiences at the time and an extrapolation of his views on civilization.
The character of Conan had a wide and enduring influence among other Weird Tales writers, including C. L. Moore and Fritz Leiber, and over the ensuing decades the genre of sword and sorcery grew up around Howard's masterwork, with dozens of practitioners evoking Howard's creation to one degree or another.
In spring 1933, Howard started to place work with Otis Adelbert Kline, a former pulp writer, as his agent. Kline encouraged him to try writing in other genres in order to expand into different markets. Kline's agency was successful in finding outlets for more of Howard's stories and even placed works that had been rejected when Howard was marketing himself alone. Howard continued to sell directly to Weird Tales, however.
Spicy-Adventure Stories (September 1936) featuring "The Dragon of Kao Tsu" by Sam Walser (a.k.a. Robert E. Howard).
Howard wrote one of the first "Weird Western" stories ever created, "The Horror from the Mound," published in the May 1932 issue of Weird Tales. This genre acted as a bridge between his early "weird" stories (a contemporary term for horror and fantasy) and his later straight western tales.
He tried writing detective fiction but hated reading mystery stories and disliked writing them; he was not successful in this genre. More successfully, in late 1933 Howard took a character conceived in his youth, El Borak, and began using him in mature, professional tales of World War I-era Middle Eastern adventure that landed in Top Notch,
Complete Stories, and Thrilling Adventures. The 1920s version was a treasure-hunting adventurer but the 1930s version, first seen in "The Daughter of Erlik Khan" in the December 1934 issue of Top-Notch, was a grim gun-fighter keeping the peace after having gone native in Afghanistan. The stories have a lot in common with those of Talbot Mundy, Harold Lamb and T. E. Lawrence, with Western themes and Howard's hardboiled style of writing. As with his other series, he created another character in the same vein, Kirby O'Donnell, but this character lacked the grim, western elements and was not as successful.
The first of Howard's most commercially successful series (within his own lifetime) was started in July 1933. "Mountain Man" was the first of the Breckinridge Elkins stories, humorous westerns in a similar style to his earlier Sailor Steve Costigan stories and again featuring an exaggerated, cartoonish version of Howard himself as the main character. Written as tall tales in the vein of Texas "Tall Lying" stories, the story first appeared in the March–April 1934 issue of Action Stories and was so successful that other magazines asked Howard for similar characters. Howard created Pike Bearfield for Argosy and Buckner J. Grimes for Cowboy Stories. Action Stories published a new Elkins story every issue without fail until well after Howard's death. At Kline's suggestion, he also created A Gent from Bear Creek, a Breckinridge Elkins novel comprised from existing short stories and new material.
Conan remained the only character that Howard ever spoke of with his friends in Texas and the only one in whom they seemed interested. It is possible that Breckinridge Elkins and the other characters in his stories were too close to home for Howard to be entirely comfortable discussing them.
In the spring of 1936, Howard sold a series of "spicy" stories to
Spicy-Adventure Stories. The "spicy" series of pulp magazines dealt in stories that were considered borderline softcore pornography at the time but are now similar to romance novels. These stories, which Howard referred to as "bubby-twisters", featured the character Wild Bill Clanton and were published under the pseudonym Sam Walser.
Weird Tales (July 1936) featuring "Red Nails."
"Red Nails" was inspired by a trip to New Mexico with Truett Vinson, during which Howard discovered that Vinson was also in a relationship with Price.
Howard is only known to have had one girlfriend in his life, Novalyne Price. Price was an ex-girlfriend of Tevis Clyde Smith, one of Howard's best friends, whom she had known since high school and they had remained friends after their relationship ended. She first met Howard in spring 1933 when Howard was visiting Smith after driving his mother to a Brownwood clinic. Howard and Smith drove to the Price farm and Smith introduced his friends to each other. Price was an aspiring writer, had heard of Howard from Smith in the past and was enthusiastic to meet him in person. However, he was not what she expected. She wrote in her diary about this first meeting: "This man was a writer! Him? It was unbelievable. He was not dressed as I thought a writer should dress." They parted after a drive and would not see each other again for over a year.
In late 1934 Price got a job as a schoolteacher in Cross Plains High School through her cousin, the Head of the English department. When Howard came up in conversation with her new colleagues she defended him from accusations of being a "freak" and "crazy," then phoned his house and left a message. This call was not returned so she tried a few more times. Price visited the Howard house in person after having her telephone calls blocked by a passive aggressive Hester Howard. After a drive through town they arranged their first date.
Through much of the next two years they dated on and off, spending much time discussing writing, philosophy, history, religion, reincarnation and much else. Both considered marriage but never at the same time. Price became ill from overwork in mid-1935. Her doctor, a friend of Howard's father, advised her to end the relationship and get a job in a different state. Despite agreeing to this, she met with Howard soon after being discharged. Howard, however, was too preoccupied with the state of his mother's health to give her the attention she wanted. Their relationship did not last much longer.
Not considering herself to be in an exclusive relationship, Price began dating one of Howard's best friends, Truett Vinson. Howard discovered his friends' relationship while he and Truett were on a week's trip together to New Mexico (the same trip which inspired a lot of the final Conan story "Red Nails"). The relationship between the couple was irrevocably scarred, but they continued visiting with each other as friends until May 1936, when Price left Cross Plains for Louisiana State University to get a graduate degree. The two never spoke or wrote to each other again.
In an effort to improve her memory and writing, Price began recording all her daily conversations into a journal, in the process preserving an intimate record of her time with Howard. This was useful years later when she wrote of their relationship in a book called One Who Walked Alone, which was the basis for the 1996 film The Whole Wide World starring Vincent D'Onofrio as Howard and Renée Zellweger as Price.
Howard family gravestone in Brownwood, Texas
By 1936, almost all of Howard's fiction writing was being devoted to westerns. The novel A Gent from Bear Creek was due to be published by Herbert Jenkins in England, and by all accounts it looked as if he was finally breaking out of the pulps and into the more prestigious book market. However, life was becoming especially difficult for Howard. All of his close friends had married and were immersed in their careers, Novalyne Price had left Cross Plains for graduate school, and his most reliable market, Weird Tales, had grown far behind on its payments. Most importantly, his home life was falling apart. Having suffered from tuberculosis for decades, his mother was finally nearing death. The constant interruptions of care workers at home, combined with frequent trips to various sanatoriums for her care, made it nearly impossible for Howard to write.
In hindsight, there were hints about Howard's plans. Several times in 1935–36, whenever his mother's health had declined, he made veiled allusions to his father about planning suicide, which his father did not understand at the time. He had made references when speaking to Novalyne Price about her being in his "sere and yellow leaf." The words sounded familiar to her, but it was only in early June 1936 that she found the source in Macbeth:
I have liv'd long enough: my way of life Is fall'n into the sere, the yellow leaf; And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have; but, in their stead, Curses, not loud but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
In the weeks before his suicide, Howard wrote to Kline giving his agent instructions of what to do in case of his death, he wrote his last will and testament, and he borrowed a .380 Colt Automatic from his friend Lindsey Tyson. On June 10, he drove to Brownwood and bought a burial plot for the whole family. On the night before his suicide, when his father confirmed that his mother was finally dying, he asked where his father would go afterwards. Isaac Howard replied that he would go wherever his son went, thinking he meant to leave Cross Plains. It is possible that Howard thought his father would join him in ending their lives together as a family.
"All fled, all done, so lift me on the pyre; The feast is over and the lamps expire."
—Howard's suicide note, found in his typewriter after the event. The lines were taken from the poem "The House of Cæsar" by Viola Garvin.
In June 1936, as Hester Howard slipped into her final coma, her son maintained a death vigil with his father and friends of the family, getting little sleep, drinking huge amounts of coffee, and growing more despondent. On the morning of June 11, 1936, Howard asked one of his mother's nurses, a Mrs. Green, if she would ever regain consciousness. When she told him no, he walked out to his car in the driveway, took the pistol from the glove box, and shot himself in the head. His father and another doctor rushed out, but the wound was too grievous for anything to be done. Howard lived for another eight hours, dying at 4 pm; his mother died the following day. The story occupied the entirety of that week's edition of the Cross Plains Review, along with the publication of Howard's "A Man-Eating Jeopard". On June 14, 1936 a double funeral service was held at Cross Plains First Baptist Church, and both were buried in Greenleaf Cemetery in Brownwood, Texas.