Formation and early years (1986–1987)
Carlton Ridenhour (
Chuck D) and William Drayton (
Flavor Flav) met at
Adelphi University in the mid-1980s. Developing his talents as an
MC with Flav while delivering furniture for his father's business, Chuck D and Spectrum City, as the group was called, released the record "Check Out the Radio", backed by "Lies", a social commentary—both of which would influence RUSH Productions'
Chuck D put out a tape to promote
WBAU (the radio station where he was working at the time) and to fend off a local MC who wanted to
battle him. He called the tape Public Enemy #1 because he felt like he was being persecuted by people in the local
scene. This was the first reference to the notion of a
public enemy in any of Chuck D's songs. The single was created by Chuck D with a contribution by
Flavor Flav, though this was before the group Public Enemy was officially assembled. Around 1986, Bill Stephney, the former Program Director at WBAU, was approached by Ali Hafezi and offered a position with the label. Stephney accepted, and his first assignment was to help fledgling producer
Rick Rubin sign Chuck D, whose song "Public Enemy Number One" Rubin had heard from
Andre "Doctor Dré" Brown.
Flavor Flav performing in 1991.
According to the book The History of Rap Music by Cookie Lommel, "Stephney thought it was time to mesh the hard-hitting style of Run DMC with politics that addressed black youth. Chuck recruited Spectrum City, which included Hank Shocklee, his brother Keith Shocklee, and Eric "Vietnam" Sadler, collectively known as
the Bomb Squad, to be his production team and added another Spectrum City partner,
Professor Griff, to become the group's Minister of Information. With the addition of Flavor Flav and another local mobile DJ named
Terminator X, the group Public Enemy was born." According to Chuck, The S1W, which stands for Security of the First World, "represents that the black man can be just as intelligent as he is strong. It stands for the fact that we're not third-world people, we're first-world people; we're the
 Hank Shocklee came up with the name Public Enemy based on "underdog love and their developing politics" and the idea from Def Jam staffer Bill Stephney following the
Howard Beach racial incident,
Bernhard Goetz, and the
death of Michael Stewart: "The Black man is definitely the public enemy."
Public Enemy started out as opening act for the
Beastie Boys during the latter's
Licensed to Ill popularity, and in 1987 released their debut album
Yo! Bum Rush the Show. Over the next few years, Public Enemy released
It Takes a Nation of Millions to Hold Us Back,
Fear of a Black Planet, and
Apocalypse 91… The Enemy Strikes Black. In addition to ushering in the
golden age of hip hop, during this time, Public Enemy reached the height of their popularity, adulation, and controversy. The group then separated from Def Jam and has since been independently producing, marketing, and publishing their music.
Mainstream success (1987–1994)
Their debut album,
Yo! Bum Rush the Show, was released in 1987 to critical acclaim. The album was the group's first step toward stardom. In October 1987, music critic
Simon Reynolds dubbed Public Enemy "a superlative rock band".
 They released their second album
It Takes a Nation of Millions to Hold Us Back in 1988, which performed better in the charts than their previous release, and included the hit single "
Don't Believe the Hype" in addition to "
Bring the Noise". Nation of Millions... was the first hip hop album to be voted album of the year in
The Village Voice's influential
Pazz & Jop critics' poll.
In 1989, the group returned to the studio to record
Fear of a Black Planet, which continued their politically charged themes. The album was supposed to be released in late 1989,
 but was pushed back to April 1990. It was the most successful of any of their albums and, in 2005, was selected for preservation in the
Library of Congress. It included the singles "Welcome To The Terrordome", "
911 Is a Joke", which criticized emergency response units for taking longer to arrive at emergencies in the black community than those in the white community, and "
Fight the Power".
 "Fight the Power" is regarded as one of the most popular and influential songs in hip hop history.
 It was the theme song of
Do the Right Thing.
Chuck D. performing at
The group's next release,
Apocalypse '91...The Enemy Strikes Black, continued this trend, with songs like "Can't Truss It", which addressed the history of slavery and how the black community can fight back against oppression; "I Don't Wanna be Called Yo Nigga", a track that takes issue with the use of the word nigga outside of its original derogatory context. The album also included the controversial song and video "By the Time I Get to Arizona", which chronicled the black community's frustration that some US states did not recognize
Martin Luther King Jr.'s birthday as a national holiday. The video featured members of Public Enemy taking out their frustrations on politicians in the states not recognizing the holiday.
 In 1992, the group was one of the first rap acts to perform at the
Reading Festival, in England, headlining the second day of the three-day festival.
Terminator X's exit and DJ Lord's entrance (1998–current)
After a 1994 motorcycle accident shattered his left leg and kept him in the hospital for a full month, Terminator X relocated to his 15-acre farm in Vance County, North Carolina. By 1998, he was ready to retire from the group and focus full-time on raising African black ostriches on his farm.
 In late 1998, the group started looking for Terminator X's permanent replacement. Following several months of searching for a DJ, Professor Griff saw
DJ Lord at a Vestax Battle and approached him about becoming the DJ for Public Enemy.
 DJ Lord joined as the group's full-time DJ just in time for Public Enemy's 40th World Tour.
 Since 1999, he has been the official DJ for Public Enemy on albums and world tours while winning numerous turntablist competitions, including multiple
In 2007, the group released an album entitled
How You Sell Soul to a Soulless People Who Sold Their Soul?. Public Enemy's single from the album was "
Harder Than You Think". Four years after How You Sell Soul..., in January 2011, Public Enemy released the album
Beats and Places, a compilation of remixes and "lost" tracks. On July 13, 2012,
Most of My Heroes Still Don't Appear on No Stamp was released and was exclusively available on iTunes. In July 2012, on UK television an advert for the London
2012 Summer Paralympics featured a short remix of the song "Harder Than You Think". The advert caused the song to reach No. 1 in the
UK Singles Chart on September 2, 2012.
 On July 30, 2012, Public Enemy performed a free concert with
Kid 'n Play at
Wingate Park in
Brooklyn, New York as part of the
Martin Luther King Jr. Concert Series. On August 26, 2012, Public Enemy performed at
South West Four music festival in
Clapham Common in London. On October 1, 2012
The Evil Empire of Everything was released. On June 29, 2013, they performed at
Glastonbury Festival 2013. On September 14, 2013 they performed at
Riot Fest & Carnival 2013 in Chicago, Illinois. On September 20, 2013 they performed at Riot Fest & Side Show in Byers, Colorado.
In 2014 Chuck D launched
PE 2.0 with Oakland rapper Jahi as a spiritual successor and "next generation"
 of Public Enemy.
 Jahi had met Chuck D backstage during a soundcheck at the 1999 Rock & Roll Hall of Fame and later appeared as a support act on Public Enemy's 20th Anniversary Tour in 2007. PE 2.0's task is twofold, Jahi says, to "take select songs from the PE catalog and cover or reVisit them" as well as new material with members of the original Public Enemy including DJ Lord, Davy DMX, Professor Griff and Chuck D.
 PE 2.0's first album "People Get Ready" was released on October 7, 2014. "InsPirEd" PE 2.0's second album and part two of a proposed trilogy was released a year later on October 11, 2015.
Man Plans God Laughs, Public Enemy's thirteenth album, was released in July 2015.