Crime broadsides were commonly sold at public executions in the United Kingdom in the 18th and 19th centuries. These were often produced by printers who specialised in them. They were typically illustrated by a crude picture of the crime, a portrait of the criminal, or a generic woodcut of a hanging taking place. There would be a written account of the crime and of the trial and often the criminal's confession of guilt. A doggerel verse warning others to not follow the executed person's example, to avoid their fate, was another common feature.
Victorian era Britain experienced social changes that resulted in increased literacy rates. With the rise of capitalism and industrialisation, people began to spend more money on entertainment, contributing to the popularisation of the novel. Improvements in printing resulted in newspapers such as Joseph Addison's The Spectator and Richard Steele's The Tatler, and England's more fully recognizing the singular concept of reading as a form of leisure; it was, of itself, a new industry. Other significant changes included industrialisation and an increased capacity for travel via the invention of tracks, engines, and the corresponding railway distribution.
These changes created both a market for cheap popular literature, and the ability for it to be circulated on a large scale. The first penny serials were published in the 1830s to meet this demand. The serials were priced to be affordable to working-class readers, and were considerably cheaper than the serialised novels of authors such as Charles Dickens, which cost a shilling [twelve pennies] per part.