Pedro Páramo

Pedro Páramo
Pedro Páramo.jpg
First edition
Author Juan Rulfo
Original title quiro.
Translator Margaret Sayers Peden
Country Mexico
Language Spanish
Publisher Fondo de Cultura Económica
Publication date
1955

Pedro Páramo is a novel written by Juan Rulfo about a man named Juan Preciado who travels to his recently deceased mother's hometown, Comala, to find his father, only to come across a literal ghost town─populated, that is, by spectral figures. Initially, the novel met with cold critical reception and sold only two thousand copies during the first four years; later, however, the book became highly acclaimed. Páramo was a key influence of Latin American writers such as Gabriel García Márquez. Pedro Páramo has been translated into more than 30 different languages and the English version has sold more than a million copies in the United States.

Gabriel García Márquez has said that he felt blocked as a novelist after writing his first four books and that it was only his life-changing discovery of Pedro Páramo in 1961 that opened his way to the composition of his masterpiece, One Hundred Years of Solitude. Moreover, García Márquez claimed that he "could recite the whole book, forwards and backwards." [1] Jorge Luis Borges considered Pedro Páramo to be one of the greatest texts written in any language. [2]

Synopsis

The novel is set in the town of Comala, considered to be Comala in the Mexican state of Colima.

The story begins with the first person account of Juan Preciado, who promises his mother at her deathbed that he will return to Comala to meet his father, Pedro Páramo. Juan suggests that he did not intend to keep this promise until he was overtaken by visions of his mother. His narration is interspersed with fragments of dialogue from the life of his father, who lived in a time when Comala was a robust, living town, instead of the ghost town it has become. Juan encounters one person after another in Comala, each of whom he perceives to be dead. Midway through the novel, Preciado dies. From this point on most of the stories happen in the time of Pedro Páramo.

Most of the characters in Juan's narration (Dolores Preciado, Eduviges Dyada, Abundio Martínez, Susana San Juan, and Damiana Cisneros) are also presented in an omniscient narration but much less subjectively. The two major competing narrative voices present alternative visions of Comala, one living and one full of the spirits of the dead. The omniscient narration provides details of the life of Pedro Páramo, from his early youthful idealization of Susana San Juan to his rise to power upon his coming of age to his tyrannical abuses and womanizing, and, finally, to his death. Pedro is cruel, and though he raises one of his illegitimate sons, Miguel Páramo (whose mother dies giving birth), Miguel does not love his father (who dies when Pedro is a child) or either of his two wives.

His only love, from a very young age, is that of Susana San Juan, a childhood friend who leaves Comala with her father at a young age. Pedro Páramo bases all of his decisions on, and puts all of his attention into trying to get Susana San Juan to return to Comala. When she finally does, Pedro makes her his, but she constantly mourns her dead husband Florencio and spends her time sleeping and dreaming about him. Pedro realizes that Susana San Juan belongs to a different world that he will never understand.

When she dies the church bells toll incessantly, provoking a fiesta in Comala. Pedro buries his only true love, and angry at the indifference of the town, swears vengeance. As the most politically and economically influential person in the town, Pedro crosses his arms and refuses to continue working, and the town dies of hunger. This is why in Juan's narration, we see a dead, dry Comala instead of the luscious place it was when Pedro Páramo was a boy.

Other Languages
Deutsch: Pedro Páramo
español: Pedro Páramo
Esperanto: Pedro Páramo
estremeñu: Pedro Páramo
français: Pedro Páramo
italiano: Pedro Páramo
Nāhuatl: Pedro Páramo
русский: Педро Парамо