Ordinary People

Ordinary People
OrdinaryPeople.jpg
Theatrical release poster
Directed byRobert Redford
Produced byRonald L. Schwary
Screenplay byAlvin Sargent
Based onOrdinary People
by Judith Guest
StarringDonald Sutherland
Mary Tyler Moore
Judd Hirsch
Timothy Hutton
Music byMarvin Hamlisch
CinematographyJohn Bailey
Edited byJeff Kanew
Production
company
Distributed byParamount Pictures
Release date
  • September 19, 1980 (1980-09-19)
Running time
124 minutes
CountryUnited States
LanguageEnglish
Budget$6 million
Box office$54.8 million

Ordinary People is a 1980 American drama film that marked the directorial debut of actor Robert Redford. The film stars Donald Sutherland, Mary Tyler Moore, Judd Hirsch, and Timothy Hutton.

The story concerns the disintegration of an upper-middle class family in Lake Forest, Illinois, following the death of one of their sons in a boating accident. The screenplay by Alvin Sargent was based upon the 1976 novel Ordinary People by Judith Guest.

The film received six Academy Awards nominations and won four: the Academy Award for Best Picture, Best Director for Redford, Adapted Screenplay for Sargent, and Supporting Actor for Hutton. In addition, it won five Golden Globe Awards: Best Motion Picture – Drama, Best Director (Redford), Best Actress in a Drama (Tyler Moore), Best Supporting Actor (Hutton), and Best Screenplay (Sargent).

Plot

The Jarretts are an upper-middle-class family in suburban Chicago trying to return to normal life after the death of one teenaged son and the attempted suicide of their surviving son, Conrad. Conrad has recently returned home from a four-month stay in a psychiatric hospital. He feels alienated from his friends and family and begins seeing a psychiatrist, Dr. Berger. Berger learns that Conrad was involved in a sailing accident in which his older brother, Buck, whom everyone idolized, died. Conrad now deals with post-traumatic stress disorder and survivor's guilt.

Conrad's father, Calvin, tries to connect with his surviving son and understand his wife. Conrad's mother, Beth, denies her loss, hoping to maintain her composure and restore her family to what it once was. She appears to have loved her older son more, and because of the suicide attempt, has grown cold toward Conrad. She is determined to maintain the appearance of perfection and normalcy. Conrad works with Dr. Berger and learns to try to deal with, rather than control, his emotions. He starts dating a fellow student, Jeannine, who helps him to begin to regain a sense of optimism. Conrad, however, still struggles to communicate and re-establish a normal relationship with his parents and schoolmates, including Stillman, with whom he gets into a fist fight. He cannot seem to allow anyone, especially Beth, to get close. Beth makes several constrained attempts to appeal to Conrad for some semblance of normality, but she ends up being cold towards him.

Mother and son often argue while Calvin tries to referee, generally taking Conrad's side for fear of pushing him over the edge again. Things come to a climax near Christmas, when Conrad becomes furious at Beth for not wanting to take a photo with him, swearing at her in front of his grandparents. Afterward, Beth discovers Conrad has been lying about his after-school whereabouts. This leads to a heated argument between Conrad and Beth in which Conrad points out that Beth never visited him in the hospital, saying that she "would have come if Buck was in the hospital." Beth replies, "Buck never would have been in the hospital!" Beth and Calvin take a trip to see Beth’s brother in Houston, where Calvin confronts Beth, calling her out on her attitude.

Conrad suffers a setback when he learns that Karen, a friend of his from the psychiatric hospital, has committed suicide. A cathartic breakthrough session with Dr. Berger allows Conrad to stop blaming himself for Buck's death and accept his mother's frailties. Calvin, however, emotionally confronts Beth one last time. He questions their love and asks whether she is capable of truly loving anyone. Stunned, Beth decides to leave her family rather than deal with her own, or their, emotions. Calvin and Conrad are left to come to terms with their new family situation.

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