My Life with the Thrill Kill Kult

My Life with the Thrill Kill Kult
OriginChicago, Illinois, United States
GenresIndustrial rock, industrial dance
Years active1987–present
LabelsInterscope/Atlantic, Red Ant Records, Rykodisc, SleazeBox Records, Wax Trax!/www.mylifewiththethrillkillkult.com
MembersGroovie Mann
Buzz McCoy
Mimi Star
Arena Rock
Bradley Bills
Past membersJacky Blacque
Shawn Christopher
Davey Dasher
Sekret Dame DeZyre
Brett Frana
Dick Fury
Kitty Killdare
Linda LeSabre
Lydia Lunch
Otto Matix
Ruth McArdle
Sinderella Pussy
Arena Rock
Pepper Somerset
Brian St. Clair
Skip Towne
Thomas Thorn
Leo Cline
William Tucker
Charles Levi
Justin Thyme (a.k.a. Justin Bennett)
Westin Halvorson

My Life with the Thrill Kill Kult (often shortened to Thrill Kill Kult or TKK) is an American electronic industrial rock band originally based in Chicago, Illinois and founded by Groovie Mann (born Frankie Nardiello) and Buzz McCoy (born Marston Daley). They became known in the 1980s as pioneers of the industrial music genre – although by the early 1990s they had changed to a more disco-oriented sound – and as a frequent target of censorship groups, including the PMRC, which objected to the band's humorous and satirical references to Satan, Jesus and sex in their song lyrics and stage shows.[1]

During the early 1990s, Thrill Kill Kult had several hits on the U.S. dance club and alternative charts.[2] They also contributed songs to several movie soundtracks and appeared in the 1994 film The Crow. The band has continued to record and tour with a rotating lineup in addition to core members Mann and McCoy. In 2017, the band celebrated its 30th anniversary.[3]

History

Nardiello and Daley met in spring 1987 while touring together with the band Ministry. Soon after, Nardiello and Daley began to conceive an art film to be called My Life with the Thrill Kill Kult – a headline taken from a British tabloid Nardiello had noted a few years prior when he lived in London. The film was never completed, but the music they had recorded for its soundtrack appealed to Wax Trax! Records, who released the completed songs as a three-track EP.

Dubbing themselves Groovie Mann (Nardiello) and Buzz McCoy (Daley), they launched My Life With the Thrill Kill Kult. When the first EP sold well, a full-length album, I See Good Spirits and I See Bad Spirits, followed in 1988. Both attracted attention from college radio stations and dancefloors, as well as religious groups who balked at the overtly occult imagery in both the music and the artwork of the releases. The group continued to stoke controversy with each subsequent release, which included a remix EP entitled Nervous Xians, and they became even more popular with release of the 12-inch single "Kooler Than Jesus".

Thrill Kill Kult's second album, Confessions of a Knife..., became one of the best-selling releases on Wax Trax!, and continued to goad parental groups with song titles like "A Daisy Chain 4 Satan" and "Rivers of Blood, Years of Darkness".

Along with labelmates Ministry, KMFDM, and Front 242, Thrill Kill Kult helped develop the industrial music genre, but they themselves continued to evolve, creating a sound that was not easily identified or categorized. It was electronic club music with heavy beats, reminiscent of both disco and funk, yet amplified to a sometimes abrasive level. Thrill Kill Kult reflected a shift where dance records could be ominous and aggressive, and they laced their music with riffs and references that would seem more at home in a heavy metal group. One of their most distinctive characteristics is their use of spoken-word samples lifted from B-movies and old television shows.

At the onset of their career, the band's music was known as having a "satanic" theme, although used in a satirical sense. The occult element of the band has moved to the background in recent years, as they have focused more on their sleazy disco sound although still laden with satire. The 1991 album Sexplosion! marked TKK's leap toward more psychedelic house beats and their later grind house lounge sound. Later albums expanded upon these sounds and explored new directions as well, such as the 1995 Interscope release Hit & Run Holiday, which combined the Kult's signature electronic sound with a psychedelic surf rock/go-go theme reminiscent of 1960s garage rock and more modern acts like The B-52's.