Bangs was born in Escondido, California. He was the son of Norma Belle (née Clifton) and Conway Leslie Bangs, a truck driver. Both of his parents were from Texas: his father from Enloe and his mother from Pecos County. Norma Belle was a devout Jehovah's Witness. Conway died in a fire when his son was young. When Bangs was 11, he moved with his mother to El Cajon, also in San Diego County. Growing up, his interests and influences ranged from the Beats (particularly William S. Burroughs) and jazz musicians like John Coltrane and Miles Davis, to comic books and science fiction. He had a connection with The San Diego Door, an underground newspaper of the late 1960s.
Rolling Stone magazine
Bangs became a freelance writer in 1969, after reading an ad in Rolling Stone soliciting readers' reviews. His first piece was a negative review of the MC5 album Kick Out the Jams, which he sent to Rolling Stone with a note requesting, if the magazine were to decline to publish the review, that he be given a reason for the decision; no reply was forthcoming, as the magazine did indeed publish the review.
His 1970 review of Black Sabbath's first album in Rolling Stone was scathing, rating them as imitators of the band Cream:
Cream clichés that sound like the musicians learned them out of a book, grinding on and on with dogged persistence. Vocals are sparse, most of the album being filled with plodding bass lines over which the lead guitar dribbles wooden Claptonisms from the master's tiredest Cream days. They even have discordant jams with bass and guitar reeling like velocitized speedfreaks all over each other's musical perimeters yet never quite finding synch—just like Cream! But worse.
Bangs wrote about the death of Janis Joplin in 1970 from a drug overdose: "It's not just that this kind of early death has become a fact of life that has become disturbing, but that it's been accepted as a given so quickly."
In 1973, Jann Wenner fired Bangs from Rolling Stone for "disrespecting musicians" after a particularly harsh review of the group Canned Heat.
Bangs began freelancing for Detroit-based Creem in 1970. In 1971, he wrote a feature for Creem on Alice Cooper, and soon afterward he moved to Detroit. Named Creem's editor in 1971, Bangs fell in love with Detroit, calling it "rock's only hope", and remained there for five years.
During the early 1970s, Bangs and some other writers at Creem began using the term punk rock to designate the genre of 1960s garage bands and more contemporary acts, such as MC5 and Iggy and the Stooges. Their writings would provide some of the conceptual framework for the later punk and new wave movements that emerged in New York, London, and elsewhere later in the decade. They would be quick to pick up on these new movements at their inception and provide extensive coverage of the phenomenon. Bangs was enamored of the noise music of Lou Reed, and Creem gave significant exposure to artists such as Reed, David Bowie, Roxy Music, Captain Beefheart, Blondie, Brian Eno, and the New York Dolls years earlier than the mainstream press. Bangs wrote the essay/interview "Let Us Now Praise Famous Death Dwarves" about Reed in 1975. Creem was also among the earliest publications to give sizable coverage to hard rock and metal artists such as Motörhead, Kiss, Judas Priest, and Van Halen.
After leaving Creem in 1976, he wrote for The Village Voice, Penthouse, Playboy, New Musical Express, and many other publications.
Writing in Stereo Review, Bangs described the album Funky Kingston by Toots and the Maytals as "perfection, the most exciting and diversified set of reggae tunes by a single artist yet released".
Bangs died in New York City on April 30, 1982, at the age of 33, of an accidental overdose of dextropropoxyphene (opioid analgesic), diazepam (benzodiazapine), and NyQuil.