Early life and family
Rubinshtein was born into one of Russia's richest families,
 to Jewish parents in
Russian Empire, and grew up in
Saint Petersburg. For many years, it was a mystery whether she was born in Kharkov or Saint Petersburg, complicated by the rumour that "Ida" was short for "Adelaida". Rubinshtein herself would not confirm where she was born, nor if Ida was a nickname, preferring the aura of mystery. Years after her death, the record was discovered in the archives of the
Kharkov Choral Synagogue, where her father had been a board member: the birth of a daughter, Ida Lvovna, on 21 September (
O.S., N.S. 5 October), to father Lev Ruvimovich, Honorary Citizen of Kharkov, and mother Ernestina Isaakovna Rubinshtein, had been dutily recorded in the registry for 1883. She had an older sister, Rachel, born in 1876.
Ida's grandfather, Ruvim (Roman) Rubinshtein, had been a successful sugar trader in Kharkov. He moved to Saint Petersburg, where he founded the company, Roman Rubinshtein & Sons, with his two sons, Lev (Leon) and Adolf (Anton).
 The family multiplied their investment many times over, becoming millionaires by the time Ida was born. The family expanded to own several banks, including the First Bank of Kharkov, sugar mills and breweries.
The family donated large sums of money to charities, particularly the arts. Lev and Adolf were both well educated; they regularly hosted prominent intellectuals and artists in their home. Adolf's son
Iosif became a successful pianist who studied under
Angliyskaya Embankment, with the dome of
in the background
Her mother died when Ida was very young, and in 1892, her father died in
Frankfurt, leaving her a vast fortune. In 1893, the 8-year-old Ida was sent to Saint Petersburg to live with her aunt, socialite "Madame" Gorvits (Horwitz). Rubinshtein grew up in her aunt's mansion on the city's famed
Promenade des Anglais, where she was given the best education. She became fluent in English, French, German and Italian. When she became interested in
Ancient Greece, a Greek professor was invited to tutor her in Saint Petersburg.
She was also given the best instruction in music, dance and theatre, including lessons from instructors from the Russian imperial theatres. She lacked natural dance ability, but she worked constantly on her posture, movements and pirouettes. Eventually, secretly intent on going on stage herself, she went to
Paris under the guise of continuing her education.
Rubinstein as Saint Sebastian in the play The Martyrdom of Saint Sebastian
In Paris, Rubinshtein began her career as an actress, appearing on stage in various stages of "indecent" garb. The news reached Saint Petersburg and the ears of her conservative
Orthodox family. While it was perfectly respectable for the upper class to be seen at the theatre, being an actress was no different from being a prostitute in the eyes of her horrified relatives. Her brother-in-law, a Parisian doctor named Lewinsohn (Levinson), had her declared legally insane in order to commit her to a mental asylum to save the family's honor.
Her family in Kharkov and Saint Petersburg, unhappy with her being in an asylum, demanded she be released and sent home. Once in Saint Petersburg, she was chaperoned at all times by her governess, as was customary for an unmarried young woman of her social class. To earn her freedom and right to control her fortune, she married her first cousin Vladimir Gorvits, who was madly in love with her and allowed her to travel and perform.
She had, by the standard of Russian ballet, little formal training. Tutored by
Mikhail Fokine, she made her debut in 1908. This was a single private performance of
Salomé, in which she stripped nude in the course of the
Dance of the Seven Veils.
Sergei Diaghilev took her with the
Ballets Russes and she danced the title role of
Cléopâtre in the Paris season of 1909, and Zobéide in
Scheherazade in 1910. Both exotic ballets were choreographed by Fokine, and designed by
Léon Bakst. The finale of Cléopâtre inspired
Kees van Dongen's Souvenir of the Russian Opera Season 1909. Her partner in Scheherazade was the great
Vaslav Nijinsky. Scheherazade was admired at the time for its racy sensuality and sumptuous staging, but these days it is rarely performed; to modern tastes, it is considered too much of a pantomime and its then fashionable
Orientalism appears dated.
Rubinshtein left the Ballets Russes in 1911.
After leaving the Ballets Russes, Rubinstein formed her own dance company, using her inherited wealth, and commissioned several lavish productions. In 1911, she performed in
Le Martyre de Saint Sebastien. The creative team was Fokine (choreography); Bakst (design);
Gabriele d'Annunzio (text) and score by
Debussy. This was both a triumph for its stylized modernism and a scandal; the
Archbishop of Paris prohibited Catholics from attending because
St. Sebastian was being played by a woman and a Jew.
First World War, Rubinstein appeared in a number of plays, and in Staat's
Istar at the
Paris Opera in 1924. Between 1928 and 1929, she directed her own company in Paris with
Nijinska as choreographer. She commissioned and performed in
Boléro in 1928. Other works developed in 1928 were Massine's David, with music by
Le Baiser de la fée, with music by
Stravinsky, and choreography by
Nijinska. The repertoire also included
The Firebird (L'Oiseau de Feu) with music by Stravinsky, and choreography by Fokine; this had been one of the most sensational creations for the Ballets Russes. The company was revived in 1931 and 1934, with new works. She closed the company in 1935, and gave her last performance in the play Jeanne d'Arc au bûcher in Paris, 1939.
Rubinstein often staged free ballet events and continued to dance until the start of the
Second World War.
Rubinstein is not considered to be in the top tier of ballerinas; she began her training too late for that to have been a possibility. She did, however, have tremendous stage presence and was able to act. She was also a significant patron and she tended to commission works that suited her abilities, works that mixed dance with drama and stagecraft. In 1934, the French government awarded her the
Légion d'honneur, and then in 1939 the Grand Cross of the Légion, its highest honor. In 1935, she was awarded honorary French citizenship, and in 1936 she converted to
In 1940, she left France during the
German invasion, and made her way to England via Algeria and Morocco. There she helped wounded
Free French soldiers until 1944.
Walter Guinness (later Lord Moyne), her long-term lover and sponsor, remained supportive, providing a suite at the
Ritz Hotel, until he was assassinated by the
Stern Gang in late 1944.
 She returned to France after the war, living finally at Les Olivades at
Rubinstein lived the final 10 years of her life in relative quiet.
 She died in 1960 at
France, and is buried nearby.