Conversation piece

Sir George and Lady Strickland in the Grounds of Boynton Hall, oil on canvas, 1751. A conversation piece by Arthur Devis.[1]

A conversation piece is an informal group portrait, especially those painted in Britain in the 18th century, beginning in the 1720s. They are distinguished by their portrayal of the group apparently engaged in genteel conversation or some activity, very often outdoors. Typically the group will be members of a family, but friends may be included, and some groups are of friends, members of a society or hunt, or some other grouping.[2] Often the paintings are relatively small, about the same size as a half-length portrait but in horizontal or "landscape" format; others are much larger.

Origins

Johann Zoffany paints a group of Englishmen in Florence for the Grand Tour, united only by their wealth and love of art; unlike most conversation pieces, this was not a commissioned work.

The genre was developed from 17th century portraiture in the Low Countries.[3] The compositions of merrymaking companies (vrolijk gezelschap) and garden parties (buitenpartij) painted by artists such as Dirck Hals, David Vinckbooms, Adriaen van de Venne and Willem Buytewech were an important influence on the genre. In addition, representations of elegant companies and balls by Hieronymus Janssens and the works of Peter Paul Rubens, in particular his Garden of Love (Prado Museum), gave an impetus and direction to the development of the genre. In this last work, Rubens showed how a garden could be used as a setting for amorous dalliance and courtship.[4]

In the Low Countries many group portraits were painted, both of family groups and groups such as Governors or Regents of institutions, or militia officers. Frans Hals, Rembrandt and other artists had adopted a variety of poses to liven up the group portrait, for example the famous Night Watch. The name derives from the Italian term, also used in English, sacra conversazione for a similarly informal painting of the Virgin and Child with saints, a genre developed in the Renaissance.

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